Going Across
Going Across
Signed Print
Bridget Riley
£7,000-£10,500
$13,500-$20,000 Value Indicator
$12,000-$18,000 Value Indicator
¥60,000-¥100,000 Value Indicator
€8,000-€12,500 Value Indicator
$70,000-$100,000 Value Indicator
¥1,330,000-¥2,000,000 Value Indicator
$9,000-$13,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 90
Year: 2001
Size: H 42cm x W 73cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2023 | Van Ham Fine Art Auctions - Germany | Going Across - Signed Print | |||
| April 2022 | Phillips New York - United States | Going Across - Signed Print | |||
| March 2022 | Sotheby's Online - United Kingdom | Going Across - Signed Print | |||
| March 2021 | Sotheby's London - United Kingdom | Going Across - Signed Print | |||
| September 2018 | Christie's London - United Kingdom | Going Across - Signed Print | |||
| July 2017 | Koller Zurich - Switzerland | Going Across - Signed Print | |||
| December 2010 | Christie's London - United Kingdom | Going Across - Signed Print |
Meaning & Analysis
Going Across, a 2001 screen print by Bridget Riley, was released in a signed edition of 90, and contributes to her Lozenges series. Going Across sees Riley push the series’ abstraction further by featuring just two colours and scaling up her pattern of curved forms.
Riley’s carefully planned structure in Going Across ensures that the figure/ground relationship between the colours remains ambiguous. The segmented colours overlap in such a way that it is possible to read both colours alternately as figure and ground. The shapes themselves recall the outlines of leaves or petals. Despite being non-representational, Riley has previously expressed her great love for nature and the influence this exerts over her artistic production. Hence, the artist’s forms suggest shapes and rhythms found in the natural world.
