H5-6 Plaza
H5-6 Plaza
Signed Print
Damien Hirst
£5,500-£8,000
$10,500-$15,000 Value Indicator
$9,500-$13,500 Value Indicator
¥50,000-¥70,000 Value Indicator
€6,500-€9,500 Value Indicator
$50,000-$80,000 Value Indicator
¥1,070,000-¥1,560,000 Value Indicator
$7,000-$10,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Giclée print
Edition size: 100
Year: 2018
Size: H 90cm x W 90cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Phillips London - United Kingdom | H5-6 Plaza - Signed Print | |||
| January 2022 | Phillips London - United Kingdom | H5-6 Plaza - Signed Print | |||
| December 2020 | Forum Auctions London - United Kingdom | H5-6 Plaza - Signed Print | |||
| January 2020 | Phillips London - United Kingdom | H5-6 Plaza - Signed Print | |||
| November 2019 | Bonhams New York - United States | H5-6 Plaza - Signed Print | |||
| April 2019 | Wright - United States | H5-6 Plaza - Signed Print | |||
| April 2019 | Tate Ward Auctions - United Kingdom | H5-6 Plaza - Signed Print |
Meaning & Analysis
H5-6 Plaza is one of eight prints that make up Damien Hirst’s 2018 Colour Space portfolio. The print shows multiple circular dots that form an all-over composition that exudes a sense of playfulness and joy due to Hirst’s bright colour choice. This print negotiates the artist’s ongoing relationship with dots that has been a constant throughout his oeuvre and this series is based on his early Spot paintings.
Hirst has recalled, “I originally wanted the Spots to look like they were painted by a human trying to paint like a machine. Colour Space is going back to the human element, so instead you have the fallibility of the human hand in the drips and inconsistencies. There are still no two exact colours that repeat in each painting, which is really important to me. I think of them as cells under a microscope.”
H5-6 Plaza is far less clinical and restrained than Hirst’s early spot paintings produced in his famous grid-like formula. Instead this print shows drip marks and splatters in between the dots that occasionally overlap across the composition. There is a spontaneous and active quality to this print, the dots appearing like brightly coloured party balloons floating in the air.
