The Dead (Panama copper, turquoise)
The Dead (Panama copper, turquoise)
Signed Print
Damien Hirst
£4,750-£7,000
$9,000-$13,500 Value Indicator
$8,000-$12,000 Value Indicator
¥45,000-¥60,000 Value Indicator
€5,500-€8,000 Value Indicator
$45,000-$70,000 Value Indicator
¥900,000-¥1,330,000 Value Indicator
$6,000-$9,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Foil Block
Edition size: 15
Year: 2009
Size: H 72cm x W 51cm
Signed: Yes
Format: Signed Print
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| August 2020 | Tate Ward Auctions - United Kingdom | The Dead (Panama copper, turquoise) - Signed Print |
Meaning & Analysis
The Dead (Panama copper, turquoise) is a signed foil block print in colours on Arches paper produced by renowned contemporary artist, Damien Hirst. In this print, Hirst renders a large skull in an earthy copper colour with hints of dark turquoise. Against the plain white backdrop, the skull appears to be floating without a body, as it stares out at the viewer of the print.
The print, produced in 2009, is part of the artist’s The Dead series. In this series, Hirst made thirty-one prints, all of which depict colourful skulls. The skull is a central element of the artist’s visual language and iconography. The series resonates with other series, such as I Once Was What You Are, You Will Be What I Am (2007) and Memento (2008), however it stands out from them due to Hirst’s bold incorporation of colour.
Hirst’s use of colour in The Dead (Panama copper, turquoise) reflects how death and human mortality is often thought of and discussed. The artist explains: “you don’t like it [death], so you disguise it or you decorate it to make it look like something bearable – to such an extent that it becomes something else.”
