Untitled No. 329
Untitled No. 329
Signed Print
David Hockney
£25,000-£35,000
$50,000-$70,000 Value Indicator
$45,000-$60,000 Value Indicator
¥230,000-¥320,000 Value Indicator
€29,000-€40,000 Value Indicator
$250,000-$340,000 Value Indicator
¥4,760,000-¥6,660,000 Value Indicator
$30,000-$45,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 250
Year: 2010
Size: H 56cm x W 46cmx D 2cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Phillips London - United Kingdom | Untitled No. 329 - Signed Print | |||
| September 2022 | Sotheby's Online - United Kingdom | Untitled No. 329 - Signed Print | |||
| June 2022 | Bonhams New Bond Street - United Kingdom | Untitled No. 329 - Signed Print | |||
| April 2022 | Christie's New York - United States | Untitled No. 329 - Signed Print | |||
| November 2021 | Phi Auctions - United States | Untitled No. 329 - Signed Print | |||
| June 2021 | Bonhams New Bond Street - United Kingdom | Untitled No. 329 - Signed Print | |||
| September 2019 | Sotheby's Online - United Kingdom | Untitled No. 329 - Signed Print |
Meaning & Analysis
Untitled No. 329, is a digital print released in 2010 in an edition of 250, has been executed by the much loved British artist David Hockney on an iPad. The image has then been printed in colour.
Untitled No. 329 depicts a bouquet of pink flowers and grasses in a small glass vase, set against a pink and lilac background. In his Digital Drawings works, Hockney renders traditional landscapes and still lifes on a new, transformed, type of canvas. Rendering subjects digitally, that are typically bound by the limits of paint, Hockney breathes new light into this genre of painting, continuing to adapt his practice and techniques as technologies simultaneously develop. First foraying into digital art twenty years ago, Hockney initially used fax machines and photocopiers. Now, the process is far simpler with just an iPad and stylus, mimicking a canvas and paintbrush. Over the past few years, Hockney’s digital artworks have gained widespread popularity, being the subject of his most recent Royal Academy retrospective solo show The Arrival of Spring (2021), which presented landscape works Hockney had created at his house in Normandy during lockdown in 2020.
