Bayer Suite 4
Bayer Suite 4
Signed Print
Keith Haring
£1,800-£2,700
$3,500-$5,000 Value Indicator
$3,050-$4,600 Value Indicator
¥16,000-¥24,000 Value Indicator
€2,100-€3,150 Value Indicator
$18,000-$27,000 Value Indicator
¥340,000-¥510,000 Value Indicator
$2,250-$3,400 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 70
Year: 1982
Size: H 30cm x W 24cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2011 | Cornette de Saint Cyr Paris - France | Bayer Suite 4 - Signed Print |
Meaning & Analysis
This signed offset lithograph from 1982 is a limited edition of 70 from Keith Haring’s Bayer Suite series. Bayer Suite 4 shows an early rendering of Haring’s iconic ‘People Ladder motif’ used in his Growing series (1988), showing three figures, with one balancing on the arms of the other two to form a pyramid.
Commissioned in 1982 by Bayer AG on the occasion of the release of the heart medication ‘Sali-Adalat’, the prints in the Bayer Suite series are depicted in the artists' trademark figurative style, and recall the artist’s early subway drawings, where he spent his days drawing in white chalk on the empty advertising panels of the New York subway system.
The ‘People Ladder’ motif in Haring’s work has come to represent a tower of break dancers stacked on top of one another to convey a sense of joy and community in a way that reflected the artist’s love of hip hop emerging in New York City in the 1980s. Haring’s use of red action lines surrounding the figures work to create a sense of excitement in the print and also signifies the figures’ struggle to balance.
Haring’s use of lithography as a method of printing worked to maintain the crisp edges and opaque sections of colour that make up his signature style, due to lithography’s capacity to produce exceptional detail across hundreds of multiples.
