The Story Of Red And Blue 12
The Story Of Red And Blue 12
Signed Print
Keith Haring
£4,650-£7,000
$9,000-$13,500 Value Indicator
$8,000-$12,000 Value Indicator
¥40,000-¥60,000 Value Indicator
€5,500-€8,000 Value Indicator
$45,000-$70,000 Value Indicator
¥890,000-¥1,330,000 Value Indicator
$6,000-$9,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 90
Year: 1989
Size: H 51cm x W 23cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2023 | Phillips New York - United States | The Story Of Red And Blue 12 - Signed Print | |||
| January 2018 | Phillips London - United Kingdom | The Story Of Red And Blue 12 - Signed Print | |||
| December 2015 | Artcurial - France | The Story Of Red And Blue 12 - Signed Print | |||
| June 2014 | Karl & Faber - Germany | The Story Of Red And Blue 12 - Signed Print |
Meaning & Analysis
The Story Of Red And Blue 12 is a signed colour lithograph by Pop artist, Keith Haring. Released in 1989 in a limited edition of 90, this print is part of The Story Of Red And Blue series. Representative of Haring’s desire to create a visual language that appealed to both children and adults alike, the series is formed of a variety of simplified images reminiscent of children’s fictional characters. Throughout the series Haring limits his colour palette to bright red and blue and renders each image in his distinctive linear style with black rounded lines.
The Story Of Red And Blue 12 features a line drawing of a sunflower and a tall, bright blue figure embracing one another. This is a playful and appealing image that is reminiscent of traditional children’s story book illustrations, however throughout the series there seems not to be any cohesive storyline.
Across the first half of the series, each print alternates in colour between red and blue and by the end of the series the two colours appear together in the prints. In each print Haring uses simplified and generic pictograms to produce the effect of a children’s story book without a sensical storyline, where instead the story seems to focus abstractly on the colours red and blue.
