The Cart
The Cart
Signed Print
L S Lowry
£5,500-£8,000
$10,500-$15,000 Value Indicator
$9,500-$13,500 Value Indicator
¥50,000-¥70,000 Value Indicator
€6,500-€9,500 Value Indicator
$50,000-$80,000 Value Indicator
¥1,050,000-¥1,520,000 Value Indicator
$7,000-$10,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 850
Size: H 50cm x W 40cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2023 | McTear's - United Kingdom | The Cart - Signed Print | |||
| December 2023 | Ewbank's - United Kingdom | The Cart - Signed Print | |||
| October 2023 | Chiswick Auctions - United Kingdom | The Cart - Signed Print | |||
| March 2023 | Adam Partridge Auctioneers & Valuers - United Kingdom | The Cart - Signed Print | |||
| October 2022 | Chiswick Auctions - United Kingdom | The Cart - Signed Print | |||
| June 2022 | Wilson55 - United Kingdom | The Cart - Signed Print | |||
| April 2022 | Bonhams Knightsbridge - United Kingdom | The Cart - Signed Print |
Meaning & Analysis
The Cart is one of Lowry’s occasional completely simplistic, minimal pieces. The vastness and space of the road and two figures against a neutral sky is an arresting scene. It was inspired by a view of a road in Denbigh. Although different from his bustling Manchester cityscapes, Lowry’s departure from industrialism isn’t a true departure. His first works were landscapes - often mistakenly labelled as a self-taught artist, Lowry in fact studied underAdolphe Valette, who was a French Impressionist. ‘I cannot overestimate his effect on me,’ Lowry later said. Lowry could never be defined as an Impressionist per se, but the tradition of classical landscape often reappears in some of the more serene, peaceful scenes he painted. The landscape depicted in The Cart is a lonely one, like that in many of the rural pictures. Even though there are two men and a horse, each figure is isolated, leaning away from each other and enveloped in the sweeping curves of the road.
