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Canal And Road, Kyoto Signed Print
David Hockney: Canal And Road, Kyoto - Signed Print

Canal And Road, Kyoto

David Hockney

Canal And Road, Kyoto - Signed Print by David Hockney 1983 - MyArtBroker

Canal And Road, Kyoto
Signed Print

David Hockney

£35,000-£50,000

Value Indicator

$70,000-$100,000 Value Indicator

$60,000-$90,000 Value Indicator

¥320,000-¥460,000 Value Indicator

€40,000-€60,000 Value Indicator

$350,000-$500,000 Value Indicator

¥6,610,000-¥9,450,000 Value Indicator

$45,000-$60,000 Value Indicator

6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Photographic print

Edition size: 10

Year: 1983

Size: H 151cm x W 194cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s Canal And Road, Kyoto (signed) is estimated to be worth between £35,000 and £50,000. This photographic print, created in 1983, has shown consistent value growth, with an auction history of four total sales since its entry to the market in February 2012. In the last 12 months, the hammer price has ranged from £15,068 in May 2020 to £29,116 in July 2022. The average annual growth rate of this artwork is 6%. The edition size of this artwork is limited to 10.

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
July 2022Sotheby's New York - United StatesCanal And Road, Kyoto - Signed Print
February 2022Sotheby's New York - United StatesCanal And Road, Kyoto - Signed Print
May 2020Sotheby's New York - United StatesCanal And Road, Kyoto - Signed Print
October 2018Christie's New York - United StatesCanal And Road, Kyoto - Signed Print
February 2012Christie's London - United KingdomCanal And Road, Kyoto - Signed Print

Meaning & Analysis

Canal And Road, Kyoto is a signed photographic print by David Hockney from 1982 that features a sprawling arrangement of still images against a grey background. Compared to other photo collages created by Hockney in the early 1980s, the departure from a one-point perspective in Canal And Road, Kyoto is even more striking. The strong presence of gaps in between pictures that were taken by Hockney from the bridge over a narrow canal in Kyoto endows the central composition with a particularly irregular and expansive shape.

Hockney introduces multiple perspectives into the composition, inviting the viewer’s gaze to move dynamically across the image. Through his unusual arrangement of pictures, the artist creates a fragmented yet sweeping view of street life, embracing a wide range of details and activities in his vicinity. Farthest to the left, we find a view of a narrow back street, separated from the rest of the composition by a concrete building. The view of the traffic appears on the right side, featuring a line of colourful cars against industrial architecture. Overall, this is more than could be embraced if one fixed their gaze on the canal from the same spot, in which the picture was taken. The purpose of this playful composition is to invite our gaze to scan the image from side to side, up and down, in the same way landscapes are looked at when encountered for the first time.

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