Bridget Riley Untitled Based on Blaze Screenprint on wove paper 1964

Movement Bridget Riley

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Executed in 1962, both Untitled (Based On Blaze) and Untitled (Base On Movement In Squares), the two prints constituting this series, were considered breakthroughs into abstraction with geometric shapes. Integrating optical, scientific effects into the language of painting, these works merge mathematical precision with artistic freedom and expression. Through repeating simple geometric shapes, Riley creates the effect of movement on the two-dimensional surface, dazzling the viewer with an arresting spectacle. This series stimulates the viewer’s eyes into sharper attention, both to art and to reality.

Untitled (Based On Blaze) is formed by a succession of concentric circles made of zig zags. Where the ‘zigs’ of one circle meet the ‘zags’ of the next, chevrons are formed, which appear to rotate, creating the perception of movement. Untitled (Based On Movement In Squares) is an anxiety-inducing illusion, constructed by alternating black and white squares that decrease in width as they reach the centre of the composition, appearing to bend inwards: two folding planes that vanish upon contact. Marking the first time in which Riley adopted the use of black and white repeated forms across the picture plane, this print is most prominent in Riley’s oeuvre and is the one Riley credits with beginning her explorations into geometric forms and spatial dynamics. Creating a restless impression of movement, these works refuse to let the eye settle.

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