Mickey Mouse Damien Hirst

Find out more about Damien Hirst’s Mickey Mouse series, browse prints & editions for sale & view the works wanted by active buyers right now.

The Mickey Mouse series is a collection of prints which are inspired by the iconic American cartoon series created by Walt Disney in 1928, Mickey Mouse. The series originated through a commission, as Hirst was asked by Disney to remake Mickey Mouse in his signature artistic style. Other artists, such as Andy Warhol, Roy Lichtenstein and Claes Oldenburg have also produced artworks inspired by the popular cartoon character.

Staying true to his visual language and style, in these prints, Mickey and Minnie Mouse are rendered in the style of a spot painting, with large circles in bright and bold colours being used to compose the characters’ bodies. The incorporation of spots is a signature feature of Hirst’s visual language, as evidenced by his impressive Spot serieses and Hirst was clearly influenced by the Pointillist movement and their style of painting in which small, distinct dots were used to create large paintings. Hirst explains why he chose to compose Mickey and Minnie Mouse using a variety of different sized spots, elaborating: “Mickey Mouse represents happiness and the joy of being a kid and I have reduced his shape down to the basic elements of a few simple spots. I hope people love it, because it is still instantly recognisable – Mickey is such a universal and powerful icon.”

Mickey Mouse has become an icon of cartoon and consumer culture, closely associated with the United States and globalisation. By using such a universally recognised figure as the central inspiration for this series of prints, Hirst blurs the boundaries between high and low culture, transforming a symbol of popular culture into a work of fine art. The influence of Andy Warhol and the Pop Art movement is apparent in this aspect of Hirst’s work. Warhol was for producing prints of everyday objects and consumer goods, such as high heel shoes or Campbell’s Soup cans and demanding they be viewed as works of art.

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