Damien Hirst

£7,000-£10,500Value
Indicator

$13,500-$20,000 Value Indicator

$12,000-$18,000 Value Indicator

¥60,000-¥100,000 Value Indicator

€8,000-€12,500 Value Indicator

$70,000-$100,000 Value Indicator

¥1,340,000-¥2,010,000 Value Indicator

$9,000-$13,000 Value Indicator

43% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Track auction value trend

The value of Damien Hirst's Thr-Ser (signed) is estimated to be worth between £7,000 and £10,500. Over the past five years, the hammer price ranges from £3,012 in May 2021 to £7,000 in April 2022. This woodcut print, created in 2011, has shown consistent value growth, with an average annual growth rate of 35%. This work has an auction history of two sales since its entry to the market in May 2021. The edition size of this artwork is limited to 55.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

April 2022

Bonhams Knightsbridge - United Kingdom

Thr-Ser - Signed Print

May 2021

Stockholms Auction House - Sweden

Thr-Ser - Signed Print

Meaning & Analysis

Thr-Ser is a woodcut print from Damien Hirst’s 40 Woodcut Spots series. The square print shows five rows of spots that are identical in size and shape, each depicting a unique colour. Across the artist’s vast oeuvre every spot painting represents a unique combination of colours. The 40 Woodcut Spots series is an exploration of colour and form that is distinctly Hirstian.

The titles of each print in this series are based on names of chemical compounds, and indicate Hirst’s interest in investigating boundaries between science, aesthetics, medicine and art. The colourful spots are set in equal distance from one another in a formulaic composition. The white clinical backdrop of the print recalls a laboratory and its kit, alluding to the crispness of coats, benches and hospital walls. Moreover, in its depiction of many spots, this print appears like a packet of medical pills.

There is an incessant endlessness to the 40 Woodcut Spots series. The circles are printed in flat, block hues and no colour is repeated twice on the same canvas. Hirst in 2000 remarked on the impact of an installation of multiple spot paintings, “it’s an assault on your senses. They grab hold of you and give you a good shaking. As adults, we’re not used to it. It’s an amazing fact that all objects leap beyond their own dimension.”