Coloured Flowers Made of Paper and Ink by David Hockney

Thinking about selling your David Hockney print or print collection? Here are some important points to consider so you can get the best price for your artwork.

“I love new mediums. I think mediums can turn you on, they can excite you” – In a career that has spanned nearly 70 years, Hockney is undoubtedly one of the most experimental and prolific English artists working today. He made his first etching in 1952 when he was 17 years old. Since then, his printmaking has evolved alongside his painting and drawing – his prints now span etchings, lithographs, aquatints, ‘homemade prints’ using photocopiers and faxes, printed iPad drawings and photographic editions of his best-loved paintings.

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How much does a Hockney print sell for?

Hockney’s prints come in a wide variety of mediums and series. His etchings, lithographs, ‘homemade prints’ and printed iPad drawings are unique works in their own right, often companion pieces or unrelated to his paintings. His limited-edition photographic prints, however, are reproductions of his best-known paintings and photographs. As each medium and style can be so different, they can attract a range of collectors and investors.

As with most other artists, Hockney’s prints with a small edition run are rarer and more desirable than those with larger edition numbers. Signed prints and artist’s proofs are generally more expensive than an unsigned version of the same image.

But there are also trends in Hockney’s market. The artist’s prints featuring pools, such as Afternoon Swimming, Lithograph Water Made Of Lines And Crayon and Pool Made With Paper And Blue Ink are among his most popular themes at auction. This might be due to the fame of swimming pool paintings like A Bigger Splash in the Tate collection, or the record-breaking Portrait of an Artist (Pool with Two Figures).

Lithograph Water Made Of Lines And Crayon (Pool II-B) b by David Hockney

Hockney’s Lithograph Water Made Of Lines And Crayon (1978, signed edition of 42 with 12 artist’s proofs)

Another high-value print by Hockney on the secondary market is An Image of Celia, now also in the Tate collection. Hockney made many portraits of his friend Celia Birtwell over the years. This technically advanced lithograph has 42 different colours and references the art of Pablo Picasso. Only 40 signed editions of An Image of Celia were released, and its rarity and complex colours make it one of the most sought-after prints by Hockney at auction.

An Image Of Celia by David Hockney

Hockney’s An Image of Celia (1984-6, signed edition of 40)

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When is the best time to sell my Hockney print?

The best time to sell your Hockney is when there is a rise in the artist’s popularity and demand, such as when he is holding a critically acclaimed exhibition or a major work makes a splash at auction, however the market is strong and we have buyers collecting regularly.

As many of Hockney’s iconic paintings are either in museums, or can sell for tens of millions of pounds – thus less accessible to manu buyers – a signed, limited-edition photographic print of the same image can be the best to acquire a work by Hockney. There is a large market for such works in the MyArtBroker network.

At MyArtBroker, our specialists keep a close eye on art market trends so don’t hesitate to get in touch if you’re looking for advice on the best time to sell.

My Parents by David Hockney

Hockney’s My Parents (1975, signed edition of 80)

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How do I prove my Hockney print is authentic?

Hockney releases the majority of his prints as signed editions, although unsigned editions are available for some series. But his top-selling prints at auction are all signed, the artist does not issue certificates of authenticity, so signed prints provide more security than prints without a signature. This is not to say that unsigned prints can not fetch great prices on the private and public market.

For signed etchings and lithographs, Hockney writes his signature in pencil on the bottom right of the paper along with a shortened year (for example, ‘2010’ is written as ‘10’). He writes the edition number on the bottom left of the paper. Any print pertaining to be an authentic Hockney without this format should be looked at by a specialist to conclude authenticity. Submit a work today for a full appraisal.

The Older Rapunzel, Pl. 15 by David Hockney

Hockney’s The Older Rapunzel (1969, signed edition of 100, plus 20 artist’s proofs)

Depending on the publisher, Hockney’s etchings and lithographs can also come with their blindstamps. Hockney has worked with many of the same publishers and print studios for decades, including Tyler Graphics, ever since they made a portfolio of eight portraits in 1979; Editions Alecto, who published Hockney’s A Rake’s Progress series in 1963; Petersburg Press, who published Illustrations for Six Fairy Tales from the Brothers Grimm in 1969; and Gemini G. E. L., with whom Hockney has been working with since 1973. The blindstamp of a well-known printing studio can provide an extra layer of authenticity for a Hockney print.

Hockney publishes signed prints of his iPad drawings himself. He will sometimes add his own blindstamp to the paper along with his signature, date and edition number.

The Arrival Of Spring In Woldgate East Yorkshire 22nd March 2011 by david Hockney

Hockney’s The Arrival Of Spring In Woldgate East Yorkshire 22nd March 2011 (2011, signed edition of 25)

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What if my Hockney print needs restoring?

The condition of your Hockney print will affect its value. If the artwork is not in perfect condition, it may be necessary to restore the piece in order to achieve the best price.

One of the most common issues is that the print is cockled or ‘wavy’, as paper can distort due to changes in temperature and humidity. You should also check if the paper has discoloured due to over-exposure to light, and look carefully for scratches, tears or stains.

These are some of the most obvious signs of damage for a print – more information is available in MyArtBroker’s guide to restoring and caring for prints or you can contact our experts to advise you on whether restoration is required for your Hockney print.

Amaryllis In Vase by David Hockney

Hockney’s Amaryllis In Vase (1985, signed edition of 80)

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Online vs Auction vs Private: Where should I sell my Hockney print?

Online platforms, auction houses and private sales are the three main options for selling a print. Each has their own advantages and disadvantages, ultimately depending on your level of confidence and expertise in the art market.

Many new sellers turn to public online auction platforms, such as eBay, because they offer a huge audience, flexibility and a small commission. But you may risk undervaluing your Hockney print or falling foul of a fraudulent buyer.

Auction houses have an established reputation for selling Hockney prints. They can value your artwork for free and advise on its authenticity, condition and the market. But selling with an auction house comes at a price – on the day of the auction, there is no guarantee that your print will sell. An unsuccessful sale could risk your Hockney print losing its credibility. If your print sells successfully, you will need to pay up to 15% of the hammer price in seller’s fee, plus cover marketing and transport costs.

Private brokers like MyArtBroker can offer you the same free valuation and expert advice within a shorter time frame. With our large network of collectors, we help find you a potential buyer at your convenience, we don’t make you wait until the auction comes around and never charge anything to sell.

If you’d like any more advice on how to sell a work by Hockney, just let us know. You can request a valuation of your print any time and we will respond within 12 hours.

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