Deux (Second Part)
Deux (Second Part)
Signed Print
David Hockney
£8,000-£12,000
$15,000-$23,000 Value Indicator
$13,500-$20,000 Value Indicator
¥70,000-¥110,000 Value Indicator
€9,500-€14,000 Value Indicator
$80,000-$120,000 Value Indicator
¥1,520,000-¥2,280,000 Value Indicator
$10,000-$15,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 35
Year: 1991
Size: H 123cm x W 91cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2017 | Phillips New York - United States | Deux (Second Part) - Signed Print | |||
| May 2008 | Bonhams San Francisco - United States | Deux (Second Part) - Signed Print | |||
| April 2008 | Christie's New York - United States | Deux (Second Part) - Signed Print | |||
| April 2006 | Sotheby's Online - United Kingdom | Deux (Second Part) - Signed Print | |||
| October 2005 | Sotheby's New York - United States | Deux (Second Part) - Signed Print | |||
| May 2004 | Sotheby's Online - United Kingdom | Deux (Second Part) - Signed Print |
Meaning & Analysis
Deux (Second Part) is a lithograph in colours by renowned British artist, David Hockney. Executed in 1990 and released in an edition of 35, this print is the second in a series of three - all of which present a similar composition of abstract forms in varying colour combinations.
The overall colour palette of Deux (Second Part) is darker than that of Tres (End of Triple), yet the composition remains the same. However, as the colours of the intertwining planes and forms have now changed, the sense of volume and space has likewise changed. The forms comprising the composition are angular and fragmented, which is typical of Cubism: an artistic style that was no doubt of inspiration to Hockney when composing this series.
Reducing his subject matter to interlocking planes and geometric shapes, to a non-representational degree of abstraction, Hockney’s Deux (Second Part) is reminiscent of Georges Braques cubist works of towns and villages in France during the early 20th century. Additionally, Deux (Second Part) and its corresponding series, confirms Hockney’s limitless scope for experimentation and creativity, which spans his whole career and artistic output.