George, Blanche, Celia, Albert And Percy, London, January
George, Blanche, Celia, Albert And Percy, London, January
Signed Print
David Hockney
£35,000-£50,000Value
Indicator
$70,000-$100,000 Value Indicator
$60,000-$90,000 Value Indicator
¥320,000-¥460,000 Value Indicator
€40,000-€60,000 Value Indicator
$350,000-$490,000 Value Indicator
¥6,700,000-¥9,570,000 Value Indicator
$45,000-$60,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Photographic print
Edition size: 20
Year: 1983
Size: H 112cm x W 119cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2017 | Christie's London - United Kingdom | George, Blanche, Celia, Albert And Percy, London, January - Signed Print | |||
| May 2015 | Phillips London - United Kingdom | George, Blanche, Celia, Albert And Percy, London, January - Signed Print | |||
| February 2015 | Sotheby's Online - United Kingdom | George, Blanche, Celia, Albert And Percy, London, January - Signed Print | |||
| September 2013 | Christie's London - United Kingdom | George, Blanche, Celia, Albert And Percy, London, January - Signed Print | |||
| June 2012 | Phillips London - United Kingdom | George, Blanche, Celia, Albert And Percy, London, January - Signed Print | |||
| November 2005 | Christie's London - United Kingdom | George, Blanche, Celia, Albert And Percy, London, January - Signed Print |
Meaning & Analysis
This signed photographic print by British artist David Hockney is from 1983. Produced in a year which saw Hockney deliver a lecture on photography at London’s Victoria & Albert Museum, this piece is part of the much celebrated Photo Collages collection of works and a limited edition of 10.
This signed photographic print is part of the much celebrated – and much imitated – Photo Collages collection of works by British artist David Hockney. Characteristic of Hockney’s lengthy engagement with photomontage in this period, this piece makes use of a methodology he initially named ‘drawing with a camera’ but which were later dubbed ‘joining’. Marking an extended visit to London from his home in California, here Hockney depicts a domestic scene featuring one of his most famous muses, British textile and fashion designer, Celia Birtwell. Accompanied by her children and their pet cat, Percy – immortalised alongside Celia and her then husband Ossie Clark in the internationally famous double portrait, Mr. And Mrs. Clark and Percy (1971) – this print is a standout example of Hockney’s nuanced, multi-perspectival approach to photography. Informing a public lecture delivered at London’s Victoria & Albert Museum in the same year, Hockney’s sustained interest in the photograph plays into this print’s sense of self-awareness. Camera in hand, Hockney is to be found at the rear of the composition, reflected in a mirror, its frame a self-referential nod to a long-term questioning of representation and perspective figured by several recurring motifs, including the trompe l’œil frame in the A Hollywood Collection series, and theatre drop curtain in Hockney And The Stage
