David Hockney

£1,950-£2,900Value
Indicator

$3,800-$5,500 Value Indicator

$3,350-$5,000 Value Indicator

¥18,000-¥27,000 Value Indicator

€2,300-€3,400 Value Indicator

$19,000-$29,000 Value Indicator

¥370,000-¥550,000 Value Indicator

$2,500-$3,700 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Track auction value trend

The value of David Hockney’s Poolside (signed) is estimated to be worth between £1,950 and £2,900. Over the past 12 months, the artwork has shown a positive increase in value, with an average selling price of £3,666 across 1 total sale. Since its first sale on 11th December 2023, this digital print has demonstrated consistent value growth, with an average annual growth rate of 4%. This work is part of a limited edition of 25 and presents a promising investment opportunity.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

December 2023

Bonhams Online - United Kingdom

Poolside - Signed Print

Meaning & Analysis

This signed digital print is by much-loved and internationally renowned British artist, David Hockney, and belongs to the Photographs collection. Issued in a limited edition of 25 in 1970, relatively early in Hockney’s career, it features one of the artist’s most-depicted scenes – a swimming pool bathed in the afternoon sun.

This signed photographic print by British artist David Hockney was first issued in a limited edition of 25 in 1970: a year which saw the young artist’s career greatly celebrated in the form of a retrospective exhibition held at London’s Whitechapel Gallery. Like the 1970 retrospective, which ran from April to May in London before going on to tour various locations around the world, this signed print is testament to the importance of photography to Hockney’s artistic œuvre. In it, we can see three deck chairs – each of which recall the etching, Mo Asleep, produced the following year – positioned at the poolside. The scene’s bright colours and palm trees evoke California: one of Hockney’s most-loved subjects, and a location he first moved to from cold, grey and expensive postwar London in 1964. Flanked by palm trees, in the rear of the composition we can see the bold and rigid forms of an art nouveau style building, which presumably interested Hockney due to its formal clarity and the way it casts shadow. A photographic snapshot of a leisurely scene of the kind that fascinated Hockney during the 1970s in particular, it recalls other prints in the Photographs collection, such as John St Clair Swimming (1972).