The Prisoner For Amnesty International
The Prisoner For Amnesty International
Signed Print
David Hockney
£1,550-£2,350Value
Indicator
$3,000-$4,550 Value Indicator
$2,650-$4,050 Value Indicator
¥14,000-¥21,000 Value Indicator
€1,800-€2,750 Value Indicator
$15,000-$23,000 Value Indicator
¥290,000-¥450,000 Value Indicator
$1,950-$2,950 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 100
Year: 1977
Size: H 73cm x W 60cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2019 | Bonhams Knightsbridge - United Kingdom | The Prisoner For Amnesty International - Signed Print | |||
| November 2019 | Wright - United States | The Prisoner For Amnesty International - Signed Print | |||
| September 2019 | Bonhams Knightsbridge - United Kingdom | The Prisoner For Amnesty International - Signed Print | |||
| January 2019 | Quinn's Auction Galleries - United States | The Prisoner For Amnesty International - Signed Print | |||
| May 2018 | Swann Auction Galleries - United States | The Prisoner For Amnesty International - Signed Print |
Meaning & Analysis
The Prisoner, For Amnesty International is a lithograph executed in 1977 in an edition of 100. Executed by the much loved British artist David Hockney, this lithograph was created by Hockney for the charity Amnesty International.
The Prisoner, For Amnesty International was executed by David Hockney in 1977 and was released in an edition of 100 for the charity Amnesty International, which is a non-governmental organisation focusing on human rights. This lithograph depicts a man sat in a tightly enclosed room with a single light hanging above his head. Outside, hills can be seen in the distance with tall trees towering in front. The sitter is rather nondescript in a white shirt and brown trousers, with similarly unremarkable features. The subject matter of this commissioned print is more sombre than what is typical of Hockney’s bright, vivacious paintings of flowers and scorching summers in California. Yet, in this sense, it stands testament to the artist’s limitless creativity and artistic capabilities as Hockney is widely considered to be one of the most influential and versatile painters of the 20th and 21st centuries.