Landschaft I
Landschaft I
Signed Print
Gerhard Richter
£2,500-£3,750Value
Indicator
$4,850-$7,500 Value Indicator
$4,300-$6,500 Value Indicator
¥23,000-¥35,000 Value Indicator
€2,900-€4,400 Value Indicator
$25,000-$35,000 Value Indicator
¥470,000-¥710,000 Value Indicator
$3,200-$4,800 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Intaglio
Edition size: 100
Year: 1971
Size: H 20cm x W 14cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2020 | Phillips London - United Kingdom | Landschaft I - Signed Print | |||
| June 2015 | Van Ham Fine Art Auctions - Germany | Landschaft I - Signed Print | |||
| December 2014 | Karl & Faber - Germany | Landschaft I - Signed Print | |||
| December 2014 | Christie's London - United Kingdom | Landschaft I - Signed Print | |||
| February 2007 | Christie's New York - United States | Landschaft I - Signed Print | |||
| March 2004 | Lempertz, Cologne - Germany | Landschaft I - Signed Print |
Meaning & Analysis
Landschaft I is a signed intaglio print by internationally acclaimed German painter Gerhard Richter. An example of the artist’s foray into the landscape genre, Landschaft I captures the diverse and constantly evolving nature of Richter’s oeuvre.
Rendered in white, blue, and yellow, the landscape confronts the viewer with a vision of peaceful fields and hills, juxtaposed with the image of a bright sky. The serene landscape contrasts starkly with Richter’s monochrome paintings of the same period. The artwork captures how the experimentation with colours and mediums allows the artist to embrace a lively and buoyant visual language. The artist commented in the context of his practice: “‘I do not pursue any particular intentions, system, or direction. I do not have a programme, a style, a course to follow. I have brought not being interested in specialist problems, working themes, in variations towards mystery. I shy away from all restrictions, I do not know what I want, I am inconsistent, indifferent, passive; I like things that are indeterminate and boundless, and I like persistent uncertainty”.