Andy Mouse Keith Haring
Find out more about Keith Haring’s Andy Mouse series, browse prints & editions for sale & view the works wanted by active buyers right now.
Entitled Andy Mouse, this characteristically playful set of prints is testament to the relationship between Keith Haring and Andy Warhol, the undisputed father of the Pop Art movement. Warhol’s influence on Haring was undeniable, in Haring’s own words, “Warhol’s life and work made my work possible. … he was the first real public artist and his art and his life changed our conception of art and life in the 20th century”.
Here Haring pays tribute to Warhol, depicting him wearing Mickey Mouse shorts – itself a tribute to his early education, which began with copying Walt Disney films and Dr Seuss cartoons – with his trademark spiky wig. Representing two of the most important figures of the Pop Art movement, this is one of the most sought after editions in Haring’s oeuvre and a striking example of his mastery of screen printing as a medium.
Printed in seven colours – black, grey, green, blue, yellow, red, pink and orange – in an edition of 30, the Andy Mouse series is significant for its formal qualities as well as its subject. Though Haring had experimented with print techniques such as lithography in the late 1970s it wasn’t until 1983 that he began making screen prints. Adopted from the world of commercial printing, this method offered a way of creating multiple images with vivid colours and little variation between prints. This move was undoubtedly due in part to the medium being popularised by Warhol. It soon became evident that the energy and curiosity Haring demonstrated for painting translated perfectly into printmaking and he began to work with publishers across the US, Switzerland, Japan, Germany, France, Denmark and Holland, producing ever more inventive and daring work. Though many of his prints were made in editions of 100 or more, there is an element of precision in every single one that shows the level of care with which he supervised the process.
By the time of his death just four years after this work was made, Haring had produced so many prints that the exact number has become impossible to count. There are many unsigned editions on the market, though these tend only to be considered valuable if approved by the Keith Haring Foundation. Today his prints are frequently among the most sought after multiples on the market.
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