The Story Of Red And Blue 7
The Story Of Red And Blue 7
Signed Print
Keith Haring
£4,250-£6,500Value
Indicator
$8,500-$12,500 Value Indicator
$7,500-$11,000 Value Indicator
¥40,000-¥60,000 Value Indicator
€4,950-€7,500 Value Indicator
$40,000-$60,000 Value Indicator
¥810,000-¥1,240,000 Value Indicator
$5,500-$8,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 90
Year: 1989
Size: H 56cm x W 42cm
Signed: Yes
Format: Signed Print
TradingFloor
MyPortfolio
Your collection tracked in real time.
Build your portfolio, manage valuations, view return against your collection and watch works you're looking for.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2017 | Bonhams Knightsbridge - United Kingdom | The Story Of Red And Blue 7 - Signed Print | |||
| June 2014 | Karl & Faber - Germany | The Story Of Red And Blue 7 - Signed Print |
Meaning & Analysis
Taking the format of a children’s story book, The Story Of Red And Blue 7 is a print from Keith Haring’s The Story Of Red And Blue series from 1989. This signed colour lithograph is a limited edition of 90.
Representative of Haring’s desire to create a visual language that appealed to both children and adults alike, the series is formed of a variety of simplified images reminiscent of children’s fictional characters. Throughout the series Haring limits his colour palette to bright red and blue and renders each image in his distinctive linear style with black rounded lines.
The Story Of Red And Blue 7 features a line drawing of a nude Geisha holding a large red fan and a strip of Japanese calligraphy. This is a playful and appealing image that is reminiscent of traditional children’s story book illustrations, however throughout the series there seems not to be any cohesive storyline.
Across the first half of the series, each print alternates in colour between red and blue and by the end of the series the two colours appear together in the prints. In each print Haring uses simplified and generic pictograms to produce the effect of a children’s story book without a sensical storyline, where instead the story seems to focus abstractly on the colours red and blue.
