ROY LICHTENSTEIN, MIRROR, MIRRORS SERIES, SCREEN PRINT IN COLOUR ON WHITE 4-PLY BOARD, EDITION OF 250, 1990
Roy Lichtenstein launched his abstracted Mirror series in the late 1960s, concluding the sequence in the early 1990s. His Mirrors examine the symbolic implications of mirrors in art and mythology. Historically, mirrors have been used to reveal the hidden and the unconscious. Lichtenstein’s Mirrors honour the traditions of object painting by keeping the physical appearance of the motif intact. However, the artist removes the object’s most necessary function, as well as its symbolic purpose.
Situated on a stark white background, Mirror of 1990 is the most figurative depiction of the sequence. The print presents slanted black lines, enveloped in a thick yellow rectangular frame. These monochrome streaks within the rectangle allude to the reflective attributes of glass. In line with the other Mirror prints, the subject matter here is presented frontally, displaying the complete absence of reflections. Even if the object is depicted legibly, Mirror is a misrepresentation, disguised as an exemplification of a mirror.
Over the course of his career, Lichtenstein embarked on several other series dealing with vision and representation. His Water Lilies and Reflections, for instance, explore various perceptions of light and reflection. Meanwhile, Lichtenstein’s Entablatures delve further into object painting, reproducing enlarged architectural fragments as their main composition.
Read more about Mirrors by Roy Lichtenstein.
ABOUT ROY LICHTENSTEIN
Born in Manhattan in 1923, Roy Lichtenstein was a leading figure in the Pop Art movement during the second half of the 20th century. His distinctive artistic style is inspired by the visual language of consumerism and advertising that pervaded American popular culture at the time, and his work recalls a society of widespread commercialism that has remained powerfully relevant to this day. Learn more about Roy Lichtenstein.
