Sleeping Baby (red)
Sleeping Baby (red)
Signed Print
Stik
£29,000-£45,000Value
Indicator
$60,000-$90,000 Value Indicator
$50,000-$80,000 Value Indicator
¥260,000-¥410,000 Value Indicator
€35,000-€50,000 Value Indicator
$290,000-$450,000 Value Indicator
¥5,550,000-¥8,610,000 Value Indicator
$35,000-$60,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 25
Year: 2015
Size: H 65cm x W 112cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2021 | Sotheby's London - United Kingdom | Sleeping Baby (red) - Signed Print | |||
| January 2018 | Phillips London - United Kingdom | Sleeping Baby (red) - Signed Print | |||
| June 2016 | Bonhams New Bond Street - United Kingdom | Sleeping Baby (red) - Signed Print |
Meaning & Analysis
Sleeping Baby (red) is a screen print by street artist, Stik, and was released as an edition of 25 in 2015 upon the unveiling of the mural of the same name at Homerton Hospital, London. This screen print portrays a curled up sleeping child in the artist's signature thick, black outline on a red background.
Taking the form of a stickman lying calmly in a sea of colour, this print can be understood as a tribute to the refuge provided by the National Health Service to those in need. The coming together of personal and political meanings in this image is a powerful reflection of the continual coalescence of the universal and the intimate that characterises Stik's work. The slumbering infant in this series serves as a more tranquil counterpoint to the typically active figure in Stik's works, without undermining the artist's incisive societal critique.
Stik presents his hopeful vision of community via this image, which celebrates the work of the National Health Service and fosters community through the social connections its release engendered. The non-specific identity of the artist's stickmen is no accident; the desire for protection that this character bears compels the audience to identify and empathise with the piece.
