Marilyn (F. & S. II.29)
Marilyn (F. & S. II.29)
Signed Print
Andy Warhol
£130,000-£200,000
$270,000-$410,000 Value Indicator
$240,000-$370,000 Value Indicator
¥1,250,000-¥1,930,000 Value Indicator
€150,000-€240,000 Value Indicator
$1,350,000-$2,070,000 Value Indicator
¥25,160,000-¥38,710,000 Value Indicator
$170,000-$270,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 250
Year: 1967
Size: H 91cm x W 91cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| May 2023 | Bonhams New York | United States | |||
| January 2023 | Phillips London | United Kingdom | |||
| October 2022 | Sotheby's New York | United States | |||
| April 2022 | Sotheby's New York | United States | |||
| March 2022 | Sotheby's Online | United Kingdom | |||
| December 2020 | Karl & Faber | Germany | |||
| October 2019 | Christie's New York | United States |
Meaning & Analysis
An unparalleled graphic exploration in repetition and colour, Marilyn (F. & S. II.29) is a print from Andy Warhol’s world-renowned Marilyn series from 1967. It depicts a portrait of the starred celebrity actress Marilyn Monroe, her face light pink, hair bright orange and eyelids and lips the same shade of vibrant turquoise that colours the backdrop.
Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. This print shows an iteration of the same photograph that shows her face turned to her right and lips sensually parted with a smile. Marilyn (F. & S. II.29) is particularly striking in its use of colour oppositions and high contrasts that are created with black ink layered on the top surface of the image.
Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work exemplifies the artist’s idea that ‘repetition adds up to reputation’. Significantly contributing to the ‘print boom’ of the 1960s, this series points to the way in which Warhol changed the course of art history through the screen printing method and obsessive repletion of his subject matter
