£100,000-£160,000Value
Indicator
$190,000-$310,000 Value Indicator
$170,000-$270,000 Value Indicator
¥900,000-¥1,440,000 Value Indicator
€120,000-€190,000 Value Indicator
$980,000-$1,570,000 Value Indicator
¥18,540,000-¥29,660,000 Value Indicator
$130,000-$200,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Format: Signed Print
Year: 1967
Size: H 91cm x W 91cm
Edition size: 250
Signed: Yes
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The value of Andy Warhol’s Marilyn (F. & S. II.27) (signed) is estimated to be worth between £100,000 and £160,000. Over the past five years, the hammer price ranges from £22,602 in February 2020 to £100,000 in June 2023. This screenprint has shown consistent value growth, with an average annual growth rate of 13%. This work has an impressive auction history, having been sold 24 times at auction since its first auction sale in December 1998. The edition size of this artwork is limited to 250.
Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
June 2023 | Phillips London - United Kingdom | Marilyn (F. & S. II.27) - Signed Print | |||
November 2022 | Bonhams New York - United States | Marilyn (F. & S. II.27) - Signed Print | |||
September 2022 | Sotheby's Online - United Kingdom | Marilyn (F. & S. II.27) - Signed Print | |||
May 2020 | Christie's New York - United States | Marilyn (F. & S. II.27) - Signed Print | |||
February 2017 | Lempertz, Cologne - Germany | Marilyn (F. & S. II.27) - Signed Print | |||
April 2014 | Christie's New York - United States | Marilyn (F. & S. II.27) - Signed Print | |||
May 2013 | Christie's New York - United States | Marilyn (F. & S. II.27) - Signed Print |
An unparalleled graphic exploration in repetition and colour, Marilyn (F. & S. II.27) is a print from Andy Warhol’s world-renowned Marilyn series from 1967. It depicts a portrait of the starred celebrity actress Marilyn Monroe, coloured with tones of orange, brown and bright pink in her features against a pink backdrop.
Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. This print shows an iteration of the same photograph that shows her face turned to her right and lips sensually parted with a smile. Marilyn (F. & S. II. 27) is particularly striking in its use of colour oppositions and high contrasts that are created with black ink layered on the top surface of the image.
Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work exemplifies the artist’s idea that ‘repetition adds up to reputation’. Significantly contributing to the ‘print boom’ of the 1960s, this series points to the way in which Warhol changed the course of art history through the screen printing method and obsessive repletion of his subject matter