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54 x 41cm, Edition of 295, Giclée print

Created in 2008 as part of Dylan’s Drawn Blank series, Statue Of Liberty presents a politically charged reinterpretation of America's most iconic monument. The piece features a man in a Cowboys jacket walking away from the statue, whose tablet provocatively reads “RAPE IS NOT SEX” instead of the traditional inscription. The statue becomes a judge, speaking out in favour of the liberty she stands for.
Statue Of Liberty exemplifies Dylan's tendency to use visual art as a vehicle for social and cultural critique, mirroring his approach in music. Through direct and rough brushstrokes that create a deliberately fragile, high-contrast composition, through which exposed paper can be seen, Dylan prioritises emotional impression over technical perfection. The loose lines and stylistic approach invite viewers to reconsider the monument's meaning within the context of contemporary art and the evolution of popular styles.
By reimagining this powerful American symbol as a frame for crimes against liberty, Dylan offers commentary on American identity and freedom, and how the two are consistently intertwined - themes that recur throughout his musical and artistic oeuvre. The figure walking away from the statue suggests disillusionment or critique, whilst the altered inscription transforms the monument from a symbol of welcome into a statement about contemporary social issues. This artwork demonstrates Dylan's ability to bridge his roles as musician and visual artist, using both mediums to engage with complex questions about American values.