$19,000-$29,000 Value Indicator
$17,000-$26,000 Value Indicator
¥90,000-¥130,000 Value Indicator
€11,500-€18,000 Value Indicator
$100,000-$150,000 Value Indicator
¥1,860,000-¥2,790,000 Value Indicator
$12,500-$19,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Format: Signed Print
Size: H 32cm x W 76cm
Edition size: 75
Bridget Riley's Between The Two (signed), a screen print from 2005, is estimated to be worth £10,000 to £15,000. It has been sold at auction six times since its initial sale in April 2006. In the last five years, the hammer price has been consistent at £7,500, with the most recent sale occurring in December 2022. The artwork has shown a promising increase in value with an average annual growth rate of 16% over the past five years. In the last 12 months, the artwork has sold once, maintaining its steady value. The edition size of this artwork is limited to 75.
|Auction Date||Auction House||Artwork|
Return to Seller
|December 2022||Forum Auctions London - United Kingdom||Between The Two - Signed Print|
|March 2018||Sotheby's London - United Kingdom||Between The Two - Signed Print|
|October 2008||Bonhams Knightsbridge - United Kingdom||Between The Two - Signed Print|
|April 2007||Christie's London - United Kingdom||Between The Two - Signed Print|
|April 2006||Christie's London - United Kingdom||Between The Two - Signed Print|
This signed screen print was released in 2005 in an edition of 75. Between The Two features Riley’s innovative, sweeping forms, which evolved out of her iconic Stripes prints. Despite being composed with a seemingly random sequence of shapes and colours, once one’s eyes focus on the vibrant print, diagonal lines appear at regular intervals: evidence that Between The Two, and the other prints included in the series, are formulaic and the result of meticulous preparatory sketching. The final version of Riley’s prints are executed by assistant, and have been ever since Riley began screen printing in the 1960s. On this, Riley claims: “I wanted the actual content of the paintings to come through unchecked by any kind of touch, so that you could see the strength or weakness of something without any barrier.”
Riley’s enduring attention to the inner dynamic of a painting, coupled with her engagement with abstraction, has led to Riley’s works frequently being described in relation to music. Between The Two, like the other works comprising the Lozenges series, is abundant with rhythm and a sense of movement as the serpentine shapes sway across the canvas.