£8,000-£12,000 VALUE (EST.)
$15,000-$23,000 VALUE (EST.)
$13,500-$20,000 VALUE (EST.)
¥70,000-¥110,000 VALUE (EST.)
€9,500-€14,000 VALUE (EST.)
$80,000-$120,000 VALUE (EST.)
¥1,460,000-¥2,200,000 VALUE (EST.)
$10,000-$15,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
Signed Print Edition of 75
H 43cm x W 130cm
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In the past five-year period, this artwork sold twice at auction, the buyer-paid value ranges from £4,410 to £6,229, and the average return to the seller from these sales is £3,605. The highest value paid for the artwork was £6,375 in 2014. The hammer price of the artwork varies and ranges from £1,496 to £5,000. The average selling price (ASP) based on the hammer is £3,007, and the market cap based on the current ASP is £225,525. This artwork has sold at various international auction houses, most recently in Ireland.
|Auction Date||Auction House||Artwork|
Return to Seller
|July 2020||James Adam & Sons - Ireland||Echo - Signed Print|
|January 2019||Forum Auctions London - United Kingdom||Echo - Signed Print|
|November 2016||Christie's New York - United States||Echo - Signed Print|
|July 2014||Bonhams New Bond Street - United Kingdom||Echo - Signed Print|
|April 2013||Lyon & Turnbull Edinburgh - United Kingdom||Echo - Signed Print|
|February 2013||Bonhams Knightsbridge - United Kingdom||Echo - Signed Print|
|April 2003||Whyte's - Ireland||Echo - Signed Print|
Echo is a signed screen print by Bridget Riley, released in 1998 in an edition of 75. The print is composed of interlocking planes of colour, whose elegant, serpentine lines evoke a sense of disembodied movement. Executed in three colours, as well as black and white, the colour palette of Echo is similar to that of Start. Yet, here, the inclusion of black darkens the print, simultaneously heightening the vibrancy of the adjacent colours. Consequently, Riley is able to engage in an in-depth analysis into colour and its potentialities.
Throughout her career, now spanning more than six decades, Riley has unfalteringly revelled in exploring the visual and emotional effects of various colour combinations, and Echo is no exception. Regarding colour as capable of eliciting emotional responses in the viewer, Riley often painted comparable compositions in similar colour palettes, varying just one colour.