$26,000-$40,000 Value Indicator
$23,000-$35,000 Value Indicator
¥120,000-¥180,000 Value Indicator
€16,000-€23,000 Value Indicator
$130,000-$200,000 Value Indicator
¥2,500,000-¥3,710,000 Value Indicator
$17,000-$25,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Format: Signed Print
Size: H 49cm x W 91cm
Edition size: 75
Bridget Riley's From One To The Other (signed) is a screenprint from 2005, estimated to be worth between £13,500 to £20,000. This artwork has seen a total of 5 sales at auction to date. The hammer price has varied, with a range from £4,000 in October 2020 to £6,500 in April 2021. Sellers have enjoyed an average return of £4,313, and the artwork has demonstrated a strong growth in value, with an average annual growth rate of 87%. The first sale at auction was in June 2007. This artwork is part of a limited edition, with only 75 prints in existence.
|Auction Date||Auction House||Artwork|
Return to Seller
|April 2021||Bonhams Knightsbridge - United Kingdom||From One To The Other - Signed Print|
|October 2020||Rosebery's Fine Art Auctioneers - United Kingdom||From One To The Other - Signed Print|
|January 2020||Phillips London - United Kingdom||From One To The Other - Signed Print|
|January 2017||Phillips London - United Kingdom||From One To The Other - Signed Print|
From One To The Other (2005), by British Op-Artist Bridget Riley, was released in a signed edition of 75 screen prints. As with the rest of Riley's Lozenges series, curvilinear forms compose the print, here, in a palette of tropical colours: cyan, peach, lilac, lavender, jade, and coral.
Riley began making this distinctive series, entitled Lozenges in 1997. Since the 1960s, Riley has worked in series, focusing on a particular formal theme for several years. The curvilinear paintings of the late 1990s and early twenty-first century employ overlapping curved segments, typically in combinations of no more than six colours.
The movement within echoes the cadences of waves rolling on the shore, whilst the shape of the forms is reminiscent of a leaf or petal. Indeed, throughout her artistic career, Riley has continually been inspired by the natural world and its abundance. Although the shapes in From One To The Other are non-representational, like all of Riley’s works, they hint at the shapes and rhythms found in the natural world.