To Love
To Love
Signed Print
Damien Hirst
£6,000-£9,000Value
Indicator
$11,500-$17,000 Value Indicator
$10,500-$15,000 Value Indicator
¥50,000-¥80,000 Value Indicator
€7,000-€10,500 Value Indicator
$60,000-$90,000 Value Indicator
¥1,110,000-¥1,670,000 Value Indicator
$7,500-$11,500 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Aquatint
Format: Signed Print
Year: 2008
Size: H 41cm x W 44cm
Edition size: 75
Signed: Yes
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Track auction value trend
The value of Damien Hirst’s To Love (signed) is estimated to be worth between £6,000 to £8,500. This aquatint artwork has seen a total of 5 sales at auction since its first sale in July 2015. The hammer price has varied, with a range from £2,934 in January 2020 to £5,457 in September 2022. Sellers have enjoyed an average return of £3,418, and the artwork has demonstrated a strong growth trajectory with an average annual growth rate of 64%. The edition size of this artwork is limited to just 75 pieces.
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2022 | Phillips London - United Kingdom | To Love - Signed Print | |||
| February 2022 | Wright - United States | To Love - Signed Print | |||
| September 2021 | Bonhams Knightsbridge - United Kingdom | To Love - Signed Print |
Meaning & Analysis
Damien Hirst’s To Love is an aquatint that comes from a series of etchings made in 2008 and was released in an edition size of 75. Hirst depicts a butterfly on a black background and signs the work, with a message, in the bottom right.
Hirst has continually used the motif of the butterfly to varying effect throughout his career. In this instance, the process of acquatint, taken from a series of etchings, enables the artist to display the butterfly in its foremost beauty. The black background stands as contrast against the detailed drawing of the orange and yellow wings of the animal. The viewer is able to see these wings in detail. The butterfly is visible in such detail because it has been enlarged.
Though it was typical of Hirst to explore the visual appeal of the butterfly, its use in this print stands in contrast to his other work. Several of Hirst’s prints have seen numerous butterflies, their wings detached from their bodies, laid out in an intricate and carefully ordered pattern, to create a kaleidoscopic attempt: this is seen most famously in his Cathedral series. This work is instead an early example of Hirst’s use of the singular butterfly. He was to pick this back up in 2015 with the series entitled I Love You.
