$9,500-$14,500 Value Indicator
$8,500-$13,000 Value Indicator
¥45,000-¥70,000 Value Indicator
€6,000-€8,500 Value Indicator
$50,000-$70,000 Value Indicator
¥910,000-¥1,360,000 Value Indicator
$6,500-$9,500 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Format: Signed Print
Size: H 26cm x W 26cm
Edition size: 55
The value of Damien Hirst's Glycine Cresol Red (signed) is estimated to be worth between £5,000 to £7,500. This woodcut artwork has had a total of 3 sales at auction to date. The hammer price has been consistent at £6,000, first recorded on 19th April 2023. The average return to the seller is £5,100, and the artwork has shown a steady increase in value with an average annual growth rate of 9%. The first sale at auction was on 16th November 2016. The edition size of this artwork is limited to just 55 pieces.
|Auction Date||Auction House||Artwork|
Return to Seller
|April 2023||Bonhams New Bond Street - United Kingdom||Glycine Cresol Red - Signed Print|
|January 2018||Phillips London - United Kingdom||Glycine Cresol Red - Signed Print|
|November 2016||Bonhams New Bond Street - United Kingdom||Glycine Cresol Red - Signed Print|
Glycine Cresol Red is a woodcut print from Damien Hirst’s 40 Woodcut Spots series from 2011. Showing three rows of three spots, identical in size and shape, this square composition is an example of Hirst’s fascination with exploring colour and form. Each spot is a different colour and every print in the series represents a unique set of colour combinations.
The 40 Woodcut Spots series is reminiscent of Hirst’s vast series of spot paintings, of which there are over 1000 in existence, dating from 1988 to 2011. The spots represent abstraction reduced to its most basic mechanisms: colour, form and composition. The grid formula for these paintings is the basis for an unbounded series where Hirst can infinitely explore harmonious and contrasting colour combinations.
The repletion of spots in Glycine Cresol Red, as with many others in the series, creates a visual buzz that is energetic yet highly regimented. The use of perfect circles is eye-catching and aesthetically pleasing, appealing to a wide audience. Hirst in 2000 remarked on the impact of an installation of multiple spot paintings, “it’s an assault on your senses. They grab hold of you and give you a good shaking. As adults, we’re not used to it. It’s an amazing fact that all objects leap beyond their own dimension.”