Name: Burning Wheel
Brand: Damien Hirst
Rating: 5 (233 reviews)

Track auction value trend

The value of Damien Hirst’s Burning Wheel (signed) is estimated to be worth between £1,200 and £1,800. This etching print, created in 2002, has an auction history of one sale in April 2010. There have been no sales in the last 12 months or the last five years. The edition size of this artwork is limited to 68.

Auction Date

Auction House

Location

Hammer Price

Return to Seller

Buyer Paid

April 2010

Ketterer Kunst Hamburg

Germany

Meaning & Analysis

Burning Wheel is a signed etching from 2002, taken from the first volume of Damien Hirst’s the In A Spin, The Action Of The World Upon Things series. The print is one of 23 in the first volume of two portfolios and is in an edition of 68 etchings. As one of the more expressive compositions in the series, Burning Wheel shows concentric circles of scratchy lines, overlain with what appears to be yellow splashes of paint.

The In A Spin, The Action Of The World Upon Things Vol. I and II portfolio is based on Hirst’s famous spin paintings, a series of works that the artist began producing in 1995. To create the spin paintings Hirst attached a large circular canvas to a spin machine in his studio, then threw paint onto the spinning canvas to create abstract painterly marks. The etchings in this portfolio were produced using a very similar technique, attaching copper plates to the machine, and drawing the spiral lines with needles, screwdrivers, and other sharp tools as they spun.

The original spin paintings began as a collaboration between Hirst and Angus Fairhurst in the event ‘A Fete Worse than Death,’ and the curator Gregor Muir has recalled: “Using an inverted electric drill and a piece of wood onto which they could fasten sheets of paper, Fairhurst and Hirst set up a spin painting stall – an idea borrowed from a once popular children’s game using painting and an old record player cranked up to 78rpm. A spin painting cost £1 to produce and was signed by both artists on the reverse. In Hirst’s case, the idea proved too useful to be left behind, resulting in his subsequent ‘Spin Paintings’.”