$13,500-$20,000 Value Indicator
$12,000-$18,000 Value Indicator
¥60,000-¥100,000 Value Indicator
€8,000-€12,500 Value Indicator
$70,000-$100,000 Value Indicator
¥1,300,000-¥1,960,000 Value Indicator
$9,000-$13,500 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
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Format: Signed Print
Size: H 52cm x W 37cm
Edition size: 50
The value of Damien Hirst’s Till Death Do Us Part (dove grey, gunmetal, leaf green) (signed) is estimated to be worth between £7,000 to £10,500. This screenprint artwork from 2012 has had a total of 2 sales at auction to date. The hammer price has ranged from £3,500 in June 2019 to £4,000 in March 2019. The average return to the seller has been £3,187, and the artwork has shown an increase in value with an average annual growth rate of 20%. The first sale at auction was in March 2019. The edition size of this artwork is limited to 50.
|Auction Date||Auction House||Artwork|
Return to Seller
|June 2019||Forum Auctions London - United Kingdom||Till Death Do Us Part (dove grey, gunmetal, leaf green) - Signed Print|
|March 2019||Forum Auctions London - United Kingdom||Till Death Do Us Part (dove grey, gunmetal, leaf green) - Signed Print|
Damien Hirst’s screen print, Till Death Do Us Part (dove grey, gunmetal, leaf green) is one of ten prints that make up his Till Death Do Us Part series from 2012. The print shows a silkscreen image of a human skull facing directly out towards the viewer. The image of the skull is taken from a photograph and flattened, depicted mostly in monochrome with shades of green contouring the facial features of the skull.
Hirst’s influence from the Pop artist Andy Warhol comes through in the Till Death Do Us Part series. Before Hirst, Warhol was similarly preoccupied with the iconography of death, depicting skulls in many variations in the latter stage of his career. Also like Warhol, Hirst repeats a single image across an entire series, each print showing a variation on the original image through the manipulation of colour. Through his obsessive repetition of the skull throughout the Till Death Do Us Part series and his wider body of work, Hirst both desensitises and amplifies the permeating human condition of mortality.
It is only in the later stages of Hirst’s career that he has become interested in prints and editions. His first print portfolio was produced in 1999 and were a set of screen prints that depicted medicine bottle labels. Since his first print portfolio, Hirst has produced many prints and editions like those in the Till Death Do Us Part series and are a major part of his oeuvre.