Untitled No.468
Untitled No.468
Signed Print
David Hockney
£17,000-£25,000 Value Indicator
$30,000-$45,000 Value Indicator
$28,000-$40,000 Value Indicator
¥150,000-¥220,000 Value Indicator
€20,000-€29,000 Value Indicator
$160,000-$240,000 Value Indicator
¥3,100,000-¥4,560,000 Value Indicator
$21,000-$30,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Digital Print, 2010
Signed Print Edition of 250
H 44cm x W 33cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Phillips London - United Kingdom | Untitled No.468 - Signed Print | |||
| March 2023 | Tate Ward Auctions - United Kingdom | Untitled No.468 - Signed Print | |||
| April 2021 | Phillips New York - United States | Untitled No.468 - Signed Print | |||
| October 2020 | Phillips New York - United States | Untitled No.468 - Signed Print | |||
| July 2020 | Phillips New York - United States | Untitled No.468 - Signed Print | |||
| November 2019 | Phillips New York - United States | Untitled No.468 - Signed Print | |||
| October 2019 | Phillips New York - United States | Untitled No.468 - Signed Print |
Meaning & Analysis
Untitled No. 468, is a digital print released in 2010 in an edition of 1000, has been executed by the much loved British artist David Hockney on an iPad. The image has then been printed in colour.
Untitled No. 468 is a digital print on archival paper of an iPad drawing, executed by David Hockney in 2010. Here a potted leafy plant in a terracotta pot sits atop a black table. Positioned in the corner of a room, the background details have been executed somewhat hastily, the digital pen marks skating across the page. As digital tools are unquestionably more mobile, the medium enables Hockney to quickly sketch what is before him: representing his everyday environments. Hockney works in vector-based, rather than pixel-based images. This enables a maximisation of sharpness, colour and saturation, which are then rendered more easily into large-scale prints for the clearer display of his details. Hockney favors digital mediums for their capacity for greater trial and error: “the iPhone makes you bold”, Hockney confesses, as one can go back at any time and ‘undo’ a brush stroke. Thus all possibilities, instincts and impulses can be explored without regret.
