$22,000-$30,000 Value Indicator
$20,000-$29,000 Value Indicator
¥100,000-¥150,000 Value Indicator
€13,500-€20,000 Value Indicator
$110,000-$170,000 Value Indicator
¥2,140,000-¥3,170,000 Value Indicator
$14,500-$22,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Format: Signed Print
Size: H 47cm x W 56cm
Edition size: 98
David Hockney's signed lithograph, "Pembroke Studio With Blue Chairs And Lamp" from 1984, is valued between £11,500 and £17,000. This artwork has been sold 15 times at auction since its initial sale on 20th November 1993, in countries including the United States, United Kingdom, and Sweden. Over the past five years, the hammer price has ranged from £10,723 in October 2023 to £16,000 in September 2023, with an average annual growth rate of 8%. In the last 12 months, the average selling price was £13,361, with a total sales volume of 2. This piece is part of a limited edition size of 98.
|Auction Date||Auction House||Artwork|
Return to Seller
|October 2023||Christie's New York - United States||Pembroke Studio With Blue Chairs And Lamp - Signed Print|
|September 2023||Phillips London - United Kingdom||Pembroke Studio With Blue Chairs And Lamp - Signed Print|
|April 2022||Palm Beach Modern Auctions - United States||Pembroke Studio With Blue Chairs And Lamp - Signed Print|
|April 2021||Christie's New York - United States||Pembroke Studio With Blue Chairs And Lamp - Signed Print|
|June 2017||Uppsala Auktionskammare - Sweden||Pembroke Studio With Blue Chairs And Lamp - Signed Print|
|June 2017||Phillips London - United Kingdom||Pembroke Studio With Blue Chairs And Lamp - Signed Print|
|May 2017||Doyle New York - United States||Pembroke Studio With Blue Chairs And Lamp - Signed Print|
As with Pembroke Studio Interior, in Pembroke Studio With Blue Chairs And Lamp we are presented with a vision of a studio where the perspective has been altered, so that the tables and chairs, and even the floor and the ceiling, have been placed at an unnatural angle. The viewer is left feeling a little seasick as the furniture appears to slide towards them in what appears to be a playful experiment with the multiple viewpoints commonly found in Cubism, as well as Hockney’s own photographic collages. In his attempts to capture how the eye truly sees the world – as opposed to the single angle of the camera lens – in these collages he took multiple photos of the same scene or interior from different angles. Here we can see him trying this in lithography, changing the angle of the floorboards to create a fractured effect. Dating to 1984 the work is one of the earliest of the Moving Focus series and sees him striking a note from which he will carry on to make bold works influenced by Cubism using a bright palette, pushing the medium of lithography to create a varied portfolio that reflects the scope of his oeuvre and talent as a printmaker.