$60,000-$90,000 Value Indicator
$50,000-$80,000 Value Indicator
¥270,000-¥410,000 Value Indicator
€35,000-€50,000 Value Indicator
$300,000-$450,000 Value Indicator
¥5,590,000-¥8,380,000 Value Indicator
$40,000-$60,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Format: Signed Print
Size: H 57cm x W 81cm
Edition size: 68
David Hockney's signed screen print, "Above And Beyond" from 1993, is a remarkable artwork with an estimated value of £30,000 to £45,000. This piece has been sold 8 times at auction since its initial sale on 19th October 2004, finding homes in the United Kingdom, Japan, and the United States. Over the past five years, the hammer price has varied from £10,181 in July 2023 to a high of £30,756 in September 2022, with an impressive average annual growth rate of 83%. In the last 12 months, the average selling price was £11,590, with a total of 2 sales. This artwork is part of a limited edition size of 68, adding to its exclusivity and appeal.
|Auction Date||Auction House||Artwork|
Return to Seller
|September 2023||Phillips London - United Kingdom||Above And Beyond - Signed Print|
|July 2023||SBI Art Auction - Japan||Above And Beyond - Signed Print|
|September 2022||Phillips London - United Kingdom||Above And Beyond - Signed Print|
|July 2021||Sotheby's New York - United States||Above And Beyond - Signed Print|
|March 2017||Christie's London - United Kingdom||Above And Beyond - Signed Print|
|November 2013||Sotheby's New York - United States||Above And Beyond - Signed Print|
|April 2011||Bonhams New Bond Street - United Kingdom||Above And Beyond - Signed Print|
A pinwheel flower sits atop a red sucker, appearing to send radar signals into the sky; an engorged tornado sweeps up planes of colour in its trajectory, causing swirls of yellow marks like fresh hay; a green tube like the kind found in a swimming pool appears to protrude from the composition. Areas of dark shadow contrast with the bright colours, bringing depth and turmoil and adding to the sense of movement that pervades this scene. Bordering on abstract the work can be described as an ‘internal landscape’, of the kind Hockney had been painting and recreating in prints since he was commissioned to design sets for the opera Die Frau Ohne Schatten, of which he remarked, “These started simply and grew more and more complex. I soon realized that what I was doing was making internal landscapes, using different marks and textures to create space, so that the viewer wanders around.'' Here we see him drawing on the influence of these earlier paintings – as well as the earlier print series Some New Prints – to create Cubist-like compositions, fragmented and dynamic, in order to reimagine the possibilities of landscape in the ’90s.