Going Round
Going Round
Signed Print
David Hockney
£40,000-£60,000 VALUE (EST.)
$80,000-$120,000 VALUE (EST.)
$70,000-$100,000 VALUE (EST.)
¥360,000-¥540,000 VALUE (EST.)
€45,000-€70,000 VALUE (EST.)
$390,000-$580,000 VALUE (EST.)
¥7,320,000-¥10,990,000 VALUE (EST.)
$50,000-$70,000 VALUE (EST.)
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Planographic print, 1993
Signed Print Edition of 48
H 47cm x W 64cm
Your collection tracked in realtime.
Build your portfolio, manage valuations, view return against your collection and watch works you’re looking for.
Track value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2023 | Leslie Hindman Auctioneers, Chicago - United States | Going Round - Signed Print | |||
| March 2022 | Bonhams Los Angeles - United States | Going Round - Signed Print | |||
| June 2017 | Phillips London - United Kingdom | Going Round - Signed Print | |||
| May 2017 | Wright - United States | Going Round - Signed Print | |||
| March 2017 | Christie's London - United Kingdom | Going Round - Signed Print | |||
| April 2015 | Christie's New York - United States | Going Round - Signed Print | |||
| October 2008 | Sotheby's New York - United States | Going Round - Signed Print |
Meaning & Analysis
Split into four panels, Going Round is a striking abstract work by David Hockney which forms part of the Some More New Prints series. Dominated by a vibrant palette of greens, purples and reds, it is comprised of a vibrant mix of textures and marks which come together to form a dynamic composition. The gestural combines with the digital to create a stunning visual effect reminiscent of Hockney’s series Some New paintings and his earlier portfolio Some New Prints. This work also stems from Hockney’s fascination with Cubism, and fragmented perspectives, as well as his experimentation with photographic collage. With its areas of depth and distance, light and dark, the work can also be read as a kind of landscape, in which ‘viewers can wander around’. Hockney manipulates his medium in a characteristically ingenious way – rough is combined with smooth, and flatness is given depth through gradient and texture. These unique effects are achieved by combining lithography and screen printing which allowed Hockney to experiment and push the boundaries of printmaking even further to reproduce the gestural spontaneity of his painting in the medium of print.
