Wind
Wind
Signed Print
David Hockney
£15,000-£23,000
$30,000-$50,000 Value Indicator
$28,000-$40,000 Value Indicator
¥140,000-¥220,000 Value Indicator
€18,000-€27,000 Value Indicator
$160,000-$240,000 Value Indicator
¥2,950,000-¥4,520,000 Value Indicator
$20,000-$30,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 98
Year: 1973
Size: H 79cm x W 61cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2024 | Sotheby's New York | United States | |||
| October 2023 | Sotheby's New York | United States | |||
| October 2023 | Bonhams Los Angeles | United States | |||
| May 2017 | Leonard Joel, Melbourne | Australia | |||
| September 2014 | Sotheby's Online | United Kingdom | |||
| December 2013 | Christie's London | United Kingdom | |||
| May 2012 | Bonhams San Francisco | United States |
Meaning & Analysis
Depicting a sign for Melrose Avenue, one of the most famous streets in LA, Wind is a resolutely west coast work. Gone is the greyness of Hockney’s earliest prints, here all is bathed in the white light of california. Sheets of paper fly up in a gust of wind, revealing themselves to be reproductions of the other prints in the series, such as Sun, Snow, Mist and Rain. This charming composition is also an homage to Hokusai’s Ejiri in the Suruga Province (a work that would also later be referenced by photographer Jeff Wall), a work he was strongly influenced by, along with many other prints by Hokusai’s contemporary Hiroshige, upon his visit to Japan in 1971. Here Hockney has taken this traditional Ukiyo-e print and subverted it, putting his own contemporary spin on it, and having a joke with the viewer at the same time. As is fitting for a work entitled Wind the piece is suffused with lightness and air, a feeling that is deftly translated from drawing to lithograph and screen print by Hockney with the help of master printers Gemini G.E.L. The lightness of the paper and the gust is contrasted however, with the heavy green of the road sign which anchors the composition and prevents the work from slipping into whimsy.
