Shahnoza Dancing Naked
Shahnoza Dancing Naked
Signed Print
Julian Opie
£11,000-£17,000Value
Indicator
$21,000-$30,000 Value Indicator
$19,000-$29,000 Value Indicator
¥100,000-¥150,000 Value Indicator
€12,500-€20,000 Value Indicator
$110,000-$170,000 Value Indicator
¥2,040,000-¥3,150,000 Value Indicator
$14,000-$21,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Digital Print, 2008
Signed Print Edition of 45
H 100cm x W 47cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2023 | SBI Art Auction - Japan | Shahnoza Dancing Naked - Signed Print | |||
| December 2022 | Bonhams New Bond Street - United Kingdom | Shahnoza Dancing Naked - Signed Print | |||
| November 2022 | Bonhams New Bond Street - United Kingdom | Shahnoza Dancing Naked - Signed Print | |||
| October 2018 | Sotheby's New York - United States | Shahnoza Dancing Naked - Signed Print | |||
| May 2011 | Van Ham Fine Art Auctions - Germany | Shahnoza Dancing Naked - Signed Print | |||
| March 2010 | Bonhams New Bond Street - United Kingdom | Shahnoza Dancing Naked - Signed Print |
Meaning & Analysis
Shahnoza Dancing Naked is a print by Julian Opie from 2008 that shows a moving image created with a lenticular panel. Opie depicts a full-length image of a young woman whose shape is delineated clearly by bold, black outlines. The figure is faceless, with only a blank circle as a head hovering over her shoulders, and she moves her hips from side to side with her left leg bent and hands behind her head.
Shahnoza Dancing Naked presents the viewer with a response to iconography found in the cultural mainstream, showing an anonymous image of the stereotypically ‘sexy’ woman. Opie’s figures are therefore in line with his landscapes and still lives that form a self-conscious representation of his idea that art feeds on art. Of this, Opie has said that his picture making “is a self-conscious circular type of activity… I make art looking at other art, looking at other things in the world that look like art, making things that look like art, making things that look like things that look like art.”
Notably, the subject of this print has been used multiple times by Opie over the course of a few years. In order to create the images of Shahnoza, Opie worked with the professional pole dancer for two days. Taking over 1,000 photographs on each day Opie used two video cameras simultaneously to capture her movements in real time.
