5 Year Print Market Review 2023
View Of Loop Bridge Seen From Route 41 In The Seven Falls Area - Signed Print by Julian Opie 2009 - MyArtBroker

View Of Loop Bridge Seen From Route 41 In The Seven Falls Area
Signed Print

Julian Opie

£2,200-£3,300Value
Indicator

$4,200-$6,500 Value Indicator

$3,800-$5,500 Value Indicator

¥20,000-¥30,000 Value Indicator

2,550-3,800 Value Indicator

$22,000-$30,000 Value Indicator

¥410,000-¥620,000 Value Indicator

$2,800-$4,150 Value Indicator

-12% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lenticular, 2009
Signed Print Edition of 50
H 90cm x W 125cm

Jasper Tordoff
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
September 2023Phillips London - United KingdomView Of Loop Bridge Seen From Route 41 In The Seven Falls Area - Signed Print
October 2016Phillips New York - United StatesView Of Loop Bridge Seen From Route 41 In The Seven Falls Area - Signed Print

Meaning & Analysis

Opie explores the idea of travel and motion in View Of Loop Bridge Seen From Route 42 In The Seven Falls Area by presenting a seemingly endless view of the road ahead, focusing on the white lines that mark the tarmac. The landscape that lies either side of the road is void of detail and subtlety, marked only with a few road signs, thus reflecting the way in which car travel provokes a state of distraction amidst an overwhelming scene of visual stimuli.

View Of Loop Bridge Seen From Route 42 In The Seven Falls Area consciously reflects the work of Hiroshige in its verticality through the horizontal format, cropping, colour gradation and strips of calligraphy. Opie identifies with this aesthetic that holds a sense of stripped-down flatness that lends itself to reproduction. The print’s lack of preciousness, reminiscent of 19th century Japanese woodblocks, works to challenge the existing artistic paradigm in its relation to the smallness of human achievement.

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