5 Year Print Market Review 2023
Plate V, Untitled 1 - 6 - Signed Print by Keith Haring 1982 - MyArtBroker

Plate V, Untitled 1 - 6
Signed Print

Keith Haring

£30,000-£50,000 VALUE (EST.)

$60,000-$100,000 VALUE (EST.)

$50,000-$80,000 VALUE (EST.)

¥270,000-¥450,000 VALUE (EST.)

35,000-60,000 VALUE (EST.)

$290,000-$480,000 VALUE (EST.)

¥5,450,000-¥9,090,000 VALUE (EST.)

$35,000-$60,000 VALUE (EST.)

28% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1982
Signed Print Edition of 40
H 57cm x W 85cm

TradingFloor

1 in network
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
February 2022Dorotheum, Vienna - AustriaPlate V, Untitled 1 - 6 - Signed Print
April 2017Christie's New York - United StatesPlate V, Untitled 1 - 6 - Signed Print
September 2011Christie's London - United KingdomPlate V, Untitled 1 - 6 - Signed Print
April 2008Phillips New York - United StatesPlate V, Untitled 1 - 6 - Signed Print

Meaning & Analysis

Like much of Haring’s work, this print is reminiscent of Aztec or Aboriginal art, with an emphasis on line, pattern and energy. Notably, Untitled features Haring’s iconic motif of the barking dog used to represent abuses of power by government and oppressive regimes that demand obedience.

This print has a compulsive quality that fills out across the canvas that contrasts to Haring’s typical use of simplified form and block colour. Haring’s use of bold, rounded lines across the entire image creates a jarring effect against the outlines of the standing dogs, injecting the static image with a sense of movement.

Explaining why many of his works resembled Aztec or Aboriginal art, Haring has said “My drawings don’t try to imitate life; they try to create life, to invent life,” something that he believed to be a so-called primitive idea. Untitled is exemplary of this notion by creating a rhythmic, all-over composition that focuses on pattern rather than realism, Haring produces a kinetic image that excites the viewer and transcends reality.

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