5 Year Print Market Review 2023
Plate I, Untitled 1 - 6 - Signed Print by Keith Haring 1982 - MyArtBroker

Plate I, Untitled 1 - 6
Signed Print

Keith Haring

£30,000-£50,000 VALUE (EST.)

$60,000-$100,000 VALUE (EST.)

$50,000-$80,000 VALUE (EST.)

¥270,000-¥450,000 VALUE (EST.)

35,000-60,000 VALUE (EST.)

$290,000-$480,000 VALUE (EST.)

¥5,450,000-¥9,080,000 VALUE (EST.)

$35,000-$60,000 VALUE (EST.)

33% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Lithograph, 1982
Signed Print Edition of 40
H 56cm x W 84cm

TradingFloor

1 in network
1 want this
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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
October 2021Phillips New York - United StatesPlate I, Untitled 1 - 6 - Signed Print
November 2019Swann Auction Galleries - United StatesPlate I, Untitled 1 - 6 - Signed Print
July 2019Sotheby's New York - United StatesPlate I, Untitled 1 - 6 - Signed Print
April 2017Christie's New York - United StatesPlate I, Untitled 1 - 6 - Signed Print
October 2010Bonhams San Francisco - United StatesPlate I, Untitled 1 - 6 - Signed Print

Meaning & Analysis

The barking dog has become an iconic symbol created by Haring, first appearing in his subway drawing series from 1980-1985. Emerging as a symbol to represent authoritarian government, abuse of power and oppressive regimes, this print speaks to the way in which Haring warns the viewer of those in power throughout much of his oeuvre.

Haring uses dots in this print to convey the otherness of homosexuality and illness, specifically AIDS, and he depicts this process of transmission as originating from the UFOs in the sky. For Haring, UFOs symbolised forbidden desire, fertility, virility, authority, divinity and estrangement, working to convey the feeling of being human and animal and alien all at once. Through his use of graphic dots and emanating lines, Haring depicts infection from illness as radiant and energised thus subverting traditional HIV/AIDS narratives.

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