The Story Of Red And Blue 5
The Story Of Red And Blue 5
Signed Print
Keith Haring
£3,050-£4,550 Value Indicator
$6,000-$8,500 Value Indicator
$5,000-$7,500 Value Indicator
¥26,000-¥40,000 Value Indicator
€3,500-€5,500 Value Indicator
$29,000-$45,000 Value Indicator
¥550,000-¥820,000 Value Indicator
$3,700-$5,500 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Lithograph, 1989
Signed Print Edition of 90
H 56cm x W 42cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2021 | Larsen Gallery - United States | The Story Of Red And Blue 5 - Signed Print | |||
| March 2017 | Bonhams Knightsbridge - United Kingdom | The Story Of Red And Blue 5 - Signed Print | |||
| June 2014 | Karl & Faber - Germany | The Story Of Red And Blue 5 - Signed Print | |||
| May 2013 | Kaupp Auktions House - Germany | The Story Of Red And Blue 5 - Signed Print |
Meaning & Analysis
The Story Of Red And Blue 5 is part of a series of prints called The Story Of Red And Blue by Keith Haring from 1989. This signed colour lithograph is a limited edition of 90.
Presented in the form of a children’s story book, this series is representative of Haring’s desire to create a visual language that appealed to both children and adults alike. Throughout the series he limits his colour palette to bright red and blue and renders each image in his distinctive linear style with black rounded lines.
The Story Of Red And Blue 5 shows an egg-shaped figure outlined in thick red brushstrokes, it’s smiling face depicted as a single-line drawing. Appearing to sit happily on a brick wall, Haring is deliberately referring to the character from the famous children’s nursery rhyme Humpty Dumpty. Throughout the series Haring loosely refers to a variety of children’s fictional characters so as to make clear his allusion to the notion of a storybook.
Across the first half of the series, each print alternates in colour between red and blue and by the end of the series the two colours appear together in the prints. In each print Haring uses simplified and generic pictograms to produce the effect of a children’s story book without a sensical storyline, where instead the story seems to focus abstractly on the colours red and blue.
