Industrial Scene
Industrial Scene
Signed Print
L. S. Lowry
£2,250-£3,400Value
Indicator
$4,300-$6,500 Value Indicator
$3,850-$6,000 Value Indicator
¥20,000-¥30,000 Value Indicator
€2,600-€3,950 Value Indicator
$22,000-$35,000 Value Indicator
¥420,000-¥630,000 Value Indicator
$2,850-$4,300 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Lithograph, 1974
Signed Print Edition of 850
H 35cm x W 25cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| July 2023 | Toovey's - United Kingdom | Industrial Scene - Signed Print | |||
| June 2023 | Bonhams New Bond Street - United Kingdom | Industrial Scene - Signed Print | |||
| December 2022 | Bonhams Knightsbridge - United Kingdom | Industrial Scene - Signed Print | |||
| June 2022 | Gorringes - United Kingdom | Industrial Scene - Signed Print | |||
| June 2022 | Tennants Auctioneers - United Kingdom | Industrial Scene - Signed Print | |||
| May 2021 | Wilson55 - United Kingdom | Industrial Scene - Signed Print | |||
| April 2021 | Bonhams Knightsbridge - United Kingdom | Industrial Scene - Signed Print |
Meaning & Analysis
This picture is one of his more dynamic works capturing various instances of movement, as well as an account of his fascination with crowd dynamics and the individual behaviour within a collective. In this instance there is a fight unfolding between a group of men with various passers-by watching and turning their heads in shock. He uses the colour red to highlight a few details in the painting, such as a figure’s hat or clothing.
The original Industrial Scene, about the same size as this print, has been displayed at the Norwich Castle Museum since its acquisition in 1971. In this same collection there are also many brilliant Landscape With Farm Buildings works from the 1950s. The acquisition of these pieces was facilitated by the Norfolk Contemporary Art Society, co-founded by David Carr, who was also its first president and a dear friend and collector of Lowry’s.
