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Paris Review Poster - Signed Print by Roy Lichtenstein 1966 - MyArtBroker

Paris Review Poster
Signed Print

Roy Lichtenstein

£5,500-£8,500Value
Indicator

$10,500-$16,000 Value Indicator

$9,500-$14,500 Value Indicator

¥50,000-¥80,000 Value Indicator

6,500-10,000 Value Indicator

$50,000-$80,000 Value Indicator

¥1,030,000-¥1,600,000 Value Indicator

$7,000-$10,500 Value Indicator

44% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 1966
Signed Print Edition of 150
H 102cm x W 66cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
November 2022Swann Auction Galleries - United StatesParis Review Poster - Signed Print
June 2021Rachel Davis Fine Arts - United StatesParis Review Poster - Signed Print
March 2020Rachel Davis Fine Arts - United StatesParis Review Poster - Signed Print
December 2019Uppsala Auktionskammare - SwedenParis Review Poster - Signed Print
December 2017Stair Galleries - United StatesParis Review Poster - Signed Print
October 2016Bonhams Los Angeles - United StatesParis Review Poster - Signed Print
October 2014Bonhams San Francisco - United StatesParis Review Poster - Signed Print

Meaning & Analysis

Pop icon Roy Lichtenstein's renowned visual style owes its mechanised aesthetic to commercial printing strategies. The artist’s growing expertise in the field coincided with the technical renaissance of American printmaking. He experimented with methods as well as materials in skillfully achieving unprecedented tones and textures in his works.

Paris Review is an American literary quarterly founded in 1953, modeled on the independent literary magazines published in Paris in the 1920s. Lichtenstein’s Paris Review Poster of 1966 presents a schematised composition based on the streamlined visual heritage of Art Deco. Being the style of luxury and modernity, the print mimics the age in which the original Parisian versions of such magazines were initiated and produced.

The work uniquely employs Lichtenstein’s pioneering pop style of regularised patterns, thick black outlines, and saturated primary colours. The hard-edged, richly embellished canvas is enhanced by gleaming metal accents. As individually crafted as the contents of the Paris Review were meant to be, Lichtenstein’s intention was to recreate forms of sleek and anti-traditional elegance. Mirroring the knowledge and sophistication of the quarterly, the distinguishing features within this print are precise and geometrical. The artist’s later The New Fall Of America suite of 1992 was completed in collaboration with the literary magazine.

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