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Cathedral 2 - Signed Print by Roy Lichtenstein 1969 - MyArtBroker

Cathedral 2
Signed Print

Roy Lichtenstein

£9,000-£13,500Value
Indicator

$17,000-$26,000 Value Indicator

$15,000-$23,000 Value Indicator

¥80,000-¥120,000 Value Indicator

10,500-16,000 Value Indicator

$90,000-$130,000 Value Indicator

¥1,680,000-¥2,510,000 Value Indicator

$11,500-$17,000 Value Indicator

8% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Format: Signed Print

Year: 1969

Size: H 122cm x W 83cm

Edition size: 75

Signed: Yes

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Track auction value trend

The value of Roy Lichtenstein’s Cathedral 2 is estimated to be worth between £9,000 to £13,500. This rare lithograph has seen only 2 sales at auction to date, both in the United States. The hammer price reached £10,461 in February 2020. The average return to the seller is an impressive £8,892, and the artwork has demonstrated a strong increase in value with an average annual growth rate of 19%. The first sale at auction was on 29th October 2008. Signed by Lichtenstein himself and created in 1969, the edition size of this artwork is limited to just 75.

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
February 2020Wright - United StatesCathedral 2 - Signed Print
October 2008Christie's New York - United StatesCathedral 2 - Signed Print

Meaning & Analysis

Monet painted at the site of the cathedral, capturing transient stages of light moving across the building’s surface over the course of two years. His quintessentially painterly approach stands in sharp contrast to Lichtenstein’s commercially influenced style. Yet, Lichtenstein’s primary colours and Ben Day dots can be interpreted as obvious descendants of Monet’s impressionist brushwork.

Similar to how Monet’s paintings dissolve into individual brushstrokes upon close scrutiny, so do Lichtenstein’s handmade dots. Evidently, Cathedral series has the same visual quality in its eligibility as its source material, but is a distinctively mechanised structure; an expression of the 20th century.

This modern approach is manifested through Lichtenstein’s bold colour scheme. Cathedral 2 makes use of blue and red Ben Day dots, a colour combination that is effectively undecipherable when monitored from a short distance. Cathedral 2 stands in stark contrast to Cathedral 1, wherein the white bits between the dots allow for the contours of the cathedral to assemble, regardless of the distance from which the observer regards it.

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