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Marilyn (F. & S. II.24) Signed Print

Andy Warhol: Marilyn (F. & S. II.24) - Signed Print

Marilyn (F. & S. II.24)

Marilyn (F. & S. II.24) - Signed Print by Andy Warhol 1967 - MyArtBroker

Marilyn (F. & S. II.24)
Signed Print

Andy Warhol

£130,000-£190,000

Value Indicator

$250,000-$370,000 Value Indicator

$240,000-$340,000 Value Indicator

¥1,220,000-¥1,790,000 Value Indicator

€160,000-€230,000 Value Indicator

$1,350,000-$1,980,000 Value Indicator

¥24,960,000-¥36,480,000 Value Indicator

$170,000-$250,000 Value Indicator

-1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 250

Year: 1967

Size: H 91cm x W 91cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s Marilyn (F. & S. II.24) is estimated to be worth between £130,000 and £190,000. This signed screenprint, created in 1967, has shown consistent value growth, with an average annual growth rate of 4%. This artwork has an impressive auction history, having been sold 26 times at auction since its initial sale on 3rd July 2001. In the last 12 months, the average selling price was £142,269, across 2 total sales. Over the past five years, the hammer price has ranged from £104,538 in April 2024 to £228,789 in April 2022. The average return to the seller during this time was £139,496. The edition size of this artwork is limited to 250.

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Auction Results

Auction Date	Auction House	Artwork	Hammer Price	Return to Seller	Buyer Paid
May 2024	Rago Arts and Auction Center - United States	Marilyn (F. & S. II.24) - Signed Print
April 2024	Christie's New York - United States	Marilyn (F. & S. II.24) - Signed Print
March 2024	Christie's London - United Kingdom	Marilyn (F. & S. II.24) - Signed Print
March 2023	Christie's London - United Kingdom	Marilyn (F. & S. II.24) - Signed Print
March 2023	Sotheby's Online - United Kingdom	Marilyn (F. & S. II.24) - Signed Print
December 2022	Lempertz, Cologne - Germany	Marilyn (F. & S. II.24) - Signed Print
April 2022	Phillips New York - United States	Marilyn (F. & S. II.24) - Signed Print

Meaning & Analysis

An unparalleled graphic exploration in repetition and colour, Marilyn (F. & S. II.24) is a print from Andy Warhol’s world-renowned Marilyn series from 1967. It shows a portrait of the starred celebrity actress Marilyn Monroe, shown with a light grey face, slightly darker har, and dark grey eyelids, lips and background.

Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. This print shows an iteration of the same photograph that shows her face turned to her right and lips sensually parted with a smile. Marilyn (F. & S. II. 24) is particularly somber in its muted grey tones and Warhol’s use of colour oppositions and high contrasts that are created with black ink layered on the top surface of the image.

Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work exemplifies the artist’s idea that ‘repetition adds up to reputation’. Significantly contributing to the ‘print boom’ of the 1960s, this series points to the way in which Warhol changed the course of art history through the screen printing method and obsessive repletion of his subject matter

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Read more about Andy Warhol Prints & Editions

read more about Marilyn Monroe

Read more about Andy Warhol Prints & Editions

Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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