$150,000-$230,000 Value Indicator
$140,000-$210,000 Value Indicator
¥720,000-¥1,080,000 Value Indicator
€90,000-€140,000 Value Indicator
$790,000-$1,190,000 Value Indicator
¥14,960,000-¥22,440,000 Value Indicator
$100,000-$150,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Signed Print Edition of 250
H 91cm x W 91cm
|Auction Date||Auction House||Artwork|
Return to Seller
|October 2023||SBI Art Auction - Japan||Marilyn (F. & S. II.30) - Signed Print|
|October 2023||Christie's New York - United States||Marilyn (F. & S. II.30) - Signed Print|
|July 2023||Finarte - Italy||Marilyn (F. & S. II.30) - Signed Print|
|October 2022||Phillips New York - United States||Marilyn (F. & S. II.30) - Signed Print|
|April 2022||Sotheby's New York - United States||Marilyn (F. & S. II.30) - Signed Print|
|October 2021||Sotheby's New York - United States||Marilyn (F. & S. II.30) - Signed Print|
|April 2021||Phillips New York - United States||Marilyn (F. & S. II.30) - Signed Print|
An unparalleled graphic exploration in repetition and colour, Marilyn (F. & S. II.30) is a print from Andy Warhol’s world-renowned Marilyn series from 1967. It depicts a portrait of the starred celebrity actress Marilyn Monroe, her face bright pink, hair hair, lips, eyes and nose green and her eyelids, iconic beauty mark and the portrait’s background coloured with light turquoise.
Shortly after her tragic death in 1962, Warhol had depicted Marilyn Monroe in 23 paintings based on a publicity photograph from the film Niagara (1953), cropped to bring greater attention to her features. This print shows an iteration of the same photograph that shows her face turned to her right and lips sensually parted with a smile. Marilyn (F. & S. II. 30) is particularly striking in its use of colour oppositions and high contrasts that are created with black ink layered on the top surface of the image.
Warhol was obsessed with reproducing Monroe’s image through the medium of screen printing and this body of work exemplifies the artist’s idea that ‘repetition adds up to reputation’. Significantly contributing to the ‘print boom’ of the 1960s, this series points to the way in which Warhol changed the course of art history through the screen printing method and obsessive repletion of his subject matter