Soup Can (pink, cherry and blue)
Soup Can (pink, cherry and blue)
Signed Print
Banksy
£35,000-£50,000
$70,000-$100,000 Value Indicator
$60,000-$90,000 Value Indicator
¥330,000-¥480,000 Value Indicator
€40,000-€60,000 Value Indicator
$350,000-$510,000 Value Indicator
¥6,550,000-¥9,360,000 Value Indicator
$45,000-$70,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 10
Year: 2005
Size: H 50cm x W 35cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2023 | Tate Ward Auctions | United Kingdom |
Meaning & Analysis
Soup Can (pink, cherry and blue) is a 2005 silkscreen print by Banksy. This artwork features a Tesco tomato soup can, a nod to Andy Warhol's iconic series. Part of a limited edition, it showcases Banksy's distinctive style and commentary on consumer culture. The piece fits into Banksy's broader critique of modern society, encapsulating his satirical approach through a Pop Art lens.
Banksy's Soup Can (pink, cherry and blue) is a vibrant screenprint that echoes the Pop Art movement initiated by Andy Warhol. By substituting Campbell's soup with a Tesco value can, Banksy critiques consumerism and brand culture. This 2005 edition, limited to ten signed prints, is a testament to Banksy's wit and artistic prowess. The piece uses bold colours - pink, cherry, and blue - to draw attention and provoke thought. The juxtaposition of the mundane and the artistic elevates the ordinary into a subject of reflection. Banksy’s work often challenges societal norms, and this piece is no exception, inviting viewers to question the value placed on brands and consumer goods. This print is not only a homage to Warhol but also a continuation of Banksy’s exploration of capitalism and its cultural implications.
