Small Dogs (T.344)
Small Dogs (T.344)
Signed Print
David Hockney
£17,000-£25,000Value
Indicator
$30,000-$50,000 Value Indicator
$29,000-$45,000 Value Indicator
¥150,000-¥230,000 Value Indicator
€20,000-€29,000 Value Indicator
$170,000-$250,000 Value Indicator
¥3,170,000-¥4,660,000 Value Indicator
$22,000-$30,000 Value Indicator
This estimate blends recent public auction records with our own private sale data and network demand.
There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Intaglio, 1995
Signed Print Edition of 80
H 26cm x W 41cm
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2012 | Sotheby's New York - United States | Small Dogs (T.344) - Signed Print | |||
| October 2009 | Christie's New York - United States | Small Dogs (T.344) - Signed Print | |||
| March 2007 | Sotheby's Online - United Kingdom | Small Dogs (T.344) - Signed Print | |||
| November 2003 | Christie's Paris - France | Small Dogs (T.344) - Signed Print |
Meaning & Analysis
While many of Hockney’s prints depicting his dachshunds are monochrome, Small Dogs is a vibrant celebration of these delightful creatures. Here Stanley and Boodgie are shown on a plump blue and white cushion, their brick red fur boldly outlined in black, their delicate features picked out by just a handful of masterful brushstrokes onto the plate. While the cushion’s pattern recalls Hockney’s earlier series of swimming pools, the off register effect of the red going over the black recalls the signature screen print style of Andy Warhol, who was also a big fan of sausage dogs. The dogs are shown at rest, as is typical for these portraits, which span from the late ’80s to late ’90s, suggesting the artist had a hard time pinning them down for a sitting when they were awake. With eyes closed they are blissfully unaware of Hockney's gaze and emit an aura of peace and intimacy, and of complete comfort, which tells us more about their relationship with Hockney than if he had included himself in the portrait. One of Hockney's most painterly prints of his pets, Small Dogs recalls his later works on canvas as well as his digital drawings.
