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Landscape Pot With Plant - Signed Print by Jonas Wood 2017 - MyArtBroker

Landscape Pot With Plant
Signed Print

Jonas Wood

£12,500-£18,000 VALUE (EST.)

$24,000-$35,000 VALUE (EST.)

$21,000-$30,000 VALUE (EST.)

¥110,000-¥160,000 VALUE (EST.)

14,500-21,000 VALUE (EST.)

$120,000-$180,000 VALUE (EST.)

¥2,300,000-¥3,320,000 VALUE (EST.)

$16,000-$22,000 VALUE (EST.)

-6% AAGR (5YR)

This estimate blends recent public auction records with our own private sale data and network demand.

There aren’t enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Screenprint, 2017
Signed Print Edition of 100
H 100cm x W 75cm

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Auction Results

Auction DateAuction HouseArtwork
Hammer Price
Return to Seller
Buyer Paid
October 2022SBI Art Auction - JapanLandscape Pot With Plant - Signed Print
June 2022Phillips London - United KingdomLandscape Pot With Plant - Signed Print
March 2022Christie's London - United KingdomLandscape Pot With Plant - Signed Print
March 2022SBI Art Auction - JapanLandscape Pot With Plant - Signed Print
September 2020Phillips London - United KingdomLandscape Pot With Plant - Signed Print

Meaning & Analysis

Hailing from the East Coast, Wood remains influenced by the flora of Southern California and ever since his arrival in Los Angeles in 2003, he has continued to experiment with the representation of plants in his works. While some tropical plants that make the subject matter of Wood’s paintings reflect the greenery of his immediate indoor environment, many of them also invoke Southern California’s climate and cultural identity.

Given its decorative appeal and powerful simplicity, Landscape Pot With Plant creates links with the legacy of Henri Matisse, especially such works as Icarus (1943), The Blue Nude (1952), and The Snail (1953). Present in Wood’s focus on the world of nature is the modernist desire to blur the line between art and life, aesthetic and experience. Wood commented in the context of the subject matter of his artworks: "You could call [my work] a visual diary or even a personal history. I’m not going to paint something that doesn’t have anything to do with me. Of all of the possible things I could paint, the thing that interests me is something that I can get close enough to in order to paint it honestly."

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