Hip (red)
Hip (red)
Signed Print
Stik
£800-£1,200
$1,700-$2,500 Value Indicator
$1,500-$2,200 Value Indicator
¥8,000-¥11,500 Value Indicator
€950-€1,400 Value Indicator
$8,500-$12,500 Value Indicator
¥150,000-¥230,000 Value Indicator
$1,050-$1,600 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Year: 2013
Size: H 56cm x W 22cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| February 2024 | Forum Auctions London | United Kingdom | |||
| June 2021 | Tate Ward Auctions | United Kingdom | |||
| June 2020 | Tate Ward Auctions | United Kingdom | |||
| April 2019 | Forum Auctions London | United Kingdom | |||
| October 2018 | Forum Auctions London | United Kingdom | |||
| February 2018 | Forum Auctions London | United Kingdom | |||
| November 2017 | Forum Auctions London | United Kingdom |
Meaning & Analysis
Hip (red) is an offset lithograph from 2013 by artist, Stik. Printed in red, white and black, this print depicts a stickman looking to the side and resting a hand on his side. The print was crafted in collaboration with The Big Issue Japan, and based upon a detail from an eighteenth century print by Utagawa Hiroshige. This followed his collaboration with The Big Issue UK, entitled The Big Issue.
The six-line figure that is Stik's hallmark often elicits an atmosphere of tension and strain: the square body and absence of a neck suggest elevated shoulders, squeezing the upper body against extended limbs.
Hip is another careful study of a person just standing and staring, and it demonstrates Stik's exceptional ability to capture the nuanced features of standing bodies in his minimalist six-line figures. In this piece, Stik expresses his intention to "condense" the characteristics of the body into his minimalist compositions.
